A Quote by Aneurin Barnard

I always used to pretend to be different characters - cowboys, that sort of thing. I used to think that the Indians lived over the mountains that I could see out of my bedroom. As I grew up, I started to understand that acting was actually a craft, and there was no question about it, that was exactly what I was going to do.
I grew up in that, when I was a kid. My friends and I used to play cowboys and Indians. We were cowboys killing the Indians, following the Wild West stories. All of this combined into a very strange culture, which is frightened.
For an actor to remain a child is rather important. It's a childlike, dreamy thing, acting, if you think about it. It's the sort of thing children fantasise about, playing cowboys and Indians in the street. I think that acting is just a highly refined development of that.
I grew up in Zimbabwe in Southern Africa, and I moved to London when I was 17. And I started commuting and, actually, to go to college. And I used to really enjoy that part of my journey where the - it was actually a Tube train, but it was over ground, and it went right past the backs of people's houses, and I could actually see right in.
I used to think that when I grew up there wouldn't be so many rules. Back in elementary school there were rules about what entrance you used in the morning, what door you used going home, when you could talk in the library, how many paper towels you could use in the rest room, and how many drinks of water you could get during recess. And there was always somebody watching to make sure. What I'm finding out about growing older is that there are just as many rules about lots of things, but there's nobody watching.
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
When I grew up, my father used to say that cricket is not a profession, cricket cannot bring you food. But I think he lived to see the day when I was actually paid.
I don't care that much about rote memorization. An old boyfriend of mine used to get into lacerating arguments with his parents over facts, and I used to watch on in mute astonishment. How could anyone actually argue about something that could be looked up?
I'm not a great science fiction fan myself. I probably feel that way about Westerns. Like I used to play Cowboys and Indians, they can act out Will and the Robot.
I'm used to always being different, in any context. People always want to know how I grew up, so I just say I grew up Muslim. That's the truth. Two Muslim girls can write me two extremely different letters - and they do. Some are very supportive, and some question what I do.
As I got older, I went to school. I started doing plays, I learned about the craft of acting, and I started to love acting for different reasons. I think I started to love acting because it brought me closer to people and made me more compassionate.
I don't know anything about the Appalachian mountains or cowboys and Indians or anything. I just made it up.
When I last went to Italy, over two years ago, I had a lot more trouble understanding the language than I used to when I lived there for a year. I used to speak very little but I could understand very well.
Through the history of my records, from when I started controlling the visual, I always used lower case letters for everything, I can't even explain why that is. The character is actually me, and I think once you see the film for the record, or see the video or really get in to the record, that will all sort of reveal itself to you.
'Finding Nemo' has spawned so many sort of emotions over the years. I don't even know that you could really understand exactly what parents and kids are seeing in it, but they can see a lot of different stuff.
I used to think--and given the way we ended up, maybe I still do--that all relationships need the kind of violent shove that a crush brings, just to get you started and to push you over the humps. And then, when the energy from that shove has gone and you come to something approaching a halt, you have to look around and see what you've got. It could be something completely different, it could be something roughly the same, but gentler and calmer, or it could be nothing at all.
When I first moved to London, I used to pretend to be on the phone. I used to talk about stuff that was going on out loud. To my phone! I don't do that anymore!
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