A Quote by Aneurin Barnard
I want to do something original rather than interpret someone else's performance, which is always the risk - even if it's only in a subconscious way. I want to concentrate on giving my own fresh interpretation.
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Giving importance to what we think because we thought it, taking our own selves not only (to quote the Greek philosopher) as the measure of all things but as their norm or standard, we create in ourselves, if not an interpretation, at least a criticism of the universe, which we don't even know and therefore cannot criticize. The giddiest, most weak-minded of us then promote that criticism to an interpretation that's superimposed, like a hallucination; induced rather than deduced. It's a hallucination in the strict sense, being an illusion based on something only dimly seen.
I didn't want to feel like I was mimicking or copying someone else's performance, whether it's subconscious or not.
You never want to have a movie be derivative, because that's the worst if you ask me. I always want to be in original material, or an original idea, or an original vision, rather than a rehash of some other movie.
I'd rather do my own performance than copy someone else's.
No one wants one language. There are applications when it's appropriate to write something in C rather than in Java. If you want to write something where performance is much more important than extensibility, then you might want to choose C rather than Java.
If someone's lying to us, then it's rare that we know that they're lying to us. It's only in bad films that you recognize immediately that an actor's playing in such a way that you can see that he's lying, and that's simply dumb. But to reach that, it requires that you make a film in such a way that a spectator feels compelled to find his own explanation. You want to lead the spectator to find his own interpretation. To ask questions rather than provide all of the answers. Doing that leads to open endings and open dramaturgy.
If you want to get something done, there is always an alternate route other than cursing somebody and belittling them. There's always an alternate route. If you want to get any message across. Everybody has an opinion, and everybody has their own way of doing things, but the bottom line is that when you affect someone else, you should pay closer attention to how you treat people.
You just want something else that someone else has, but that doesn't mean what you have isn't beautiful, because people always want what you have, and you always want what they have - no one is ever 100 per cent like, 'Yes, I'm the bomb dot com - from head to toe!'
And I just think that if you believe in something and you want it so much and you're not hurting anyone else, you have to go for it. Which sometimes means taking a risk, even if it's scary. But the thing you want most to happen doesn't stand a chance unless you give it one.
I want to be bigger than everybody else, but I wouldn't want to be so big that people can't accept it. For instance, if you come in with 30-inch-arms, even your own peers aren't going to accept that. I wouldn't want to be that way. I wouldn't want to infinitely become unreal.
Here's something else you might as well learn now: If you want something, if you take it for your own, you'll always be taking it from someone else. That's a rule too. And something must die so that others can live.
I would prefer that, rather than sitting down and giving someone advice, I would way rather write a song about what I was going through. I think that's a pure, organic process of learning from someone else's mistakes.
I don't want to try to live up to someone who's created something so incredible. I'm just trying to focus on what I'm doing and what I do best. It's sometimes hard to focus in and only think about my books rather than how they measure up to someone else's.
You can't always do that which you can do in your sleep. That doesn't fulfill an artist. You're looking for places where you can grow, in some way, whether it's a large way or a small way. I want to grow as an artist, as a person and as a woman. I want to enjoy myself and my life and the company that I'm keeping. I want to bring something to the table that's different than anything else would bring, but that has its place and value, and then keep moving.
You don't want it to be a replica or an imitation. You want to create something fresh, original, very unique.
What it comes down to, I believe, is that mentoring often involves telling people what they need to hear, rather than what they want to hear. When you are able to be humbly honest with someone about a situation with which you have personal experience-even if you risk angering or hurting that person-you are offering the most valuable gift of all.
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