A Quote by Angela Carter

The notion of a universality of human experience is a confidence trick and the notion of a universality of female experience is a clever confidence trick. — © Angela Carter
The notion of a universality of human experience is a confidence trick and the notion of a universality of female experience is a clever confidence trick.
It’s such a confidence trick, writing a novel. The main person you have to trick into confidence is yourself. This is hard to do alone.
Racism is an attack on the very notion of the universality of human rights. It systematically denies certain people the enjoyment of their full human rights because of their colour, race, ethnicity, descent or national origin.
There's always to me a universality - one of the things I learned early on as a journalist and a writer is that there's a universality in specifics. The more specific you get, the more universal it can be.
The heart of the theater is the play itself, how it dramatizes life to make it meaningful entertainment. To achieve depth and universality, the playwright must subject himself to intense critique, to know human character and behavior, and finally to construct art from the most mundane of human experience.
I believe that the making of art is primarily for the benefit of the artist. If what the artist has created communicates messages and feelings to others, then it is because of the universality of the human experience that is speaking through the work of art.
With the realization of ones own potential and self-confidence in ones ability, one can build a better world. According to my own experience, self-confidence is very important. That sort of confidence is not a blind one; it is an awareness of ones own potential. On that basis, human beings can transform themselves by increasing the good qualities and reducing the negative qualities.
I just keep working out. You can't stop. Everyone thinks there's a trick, but there's no trick! The trick is, you have to be consistent.
What magical trick makes us intelligent? The trick is that there is no trick. The power of intelligence stems from our vast diversity, not from any single, perfect principle.
I am not clear that God manoeuvres physical things? After all, a conjuring trick with bones only proves that it is as clever as a conjuring trick with bones
When I write, my goal is to delve deeply enough into the human experience to find a sort of universality. Once you dig down underneath surface differences, we are all human beings. And all human beings want essentially the same things at our core. We want to love and be loved. We want to be safe. We want our loved ones to be safe.
Poetry being the sign of that which all men desire, even though the desire be unconscious, intensity of life or completeness of experience, the universality of its appeal is a matter of course.
The version of cosmopolitanism that I favor is exactly about balancing universality and difference. Many people who believe rightly in universality, want, wrongly, I think, to impose their vision of the world on others. They think not just that there are universal truths but that they already know what they are. And they don't think they have anything to learn, as a result, from others. They don't converse, they try to convert.
You must not lose confidence in God because you lost confidence in your pastor. If our confidence in God had to depend upon our confidence in any human person, we would be on shifting sand.
My experience in work, even going to work with Scorsese, is that people always think there's some magic trick. There's no magic trick. The people who are really good at what they do do simple things really, really well.
Somebody said that writers are like otters... Otters, if they do a trick and you give them a fish, the next time they'll do a better trick or a different trick because they'd already done that one. And writers tend to be otters. Most of us get pretty bored doing the same trick. We've done it, so let's do something different.
All fiction for me is a kind of magic and trickery, a confidence trick, trying to make people believe something is true that isn't.
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