A Quote by Angela Carter

He is, I think, already pondering a magisterial project: that of buggering the English language, the ultimate revenge of the colonialised. — © Angela Carter
He is, I think, already pondering a magisterial project: that of buggering the English language, the ultimate revenge of the colonialised.
I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.
James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.
In terms of language, English is very dominant vis-Ã-vis African language. That in itself is a power relationship - between languages and communities - because the English language is a determinant of the ladder to achievement.
People do not think in English or Chinese or Apache; they think in a language of thought. This language of thought probably looks a bit like all these languagesBut compared with any given language, mentalese must be richer in some ways and simpler in others.
The revival of Hebrew, as a spoken language, is a fascinating story, which I'm afraid I cannot squeeze into a few sentences. But, let me give you a clue. Think about Elizabethan English, where the entire English language behaved pretty much like molten lava, like a volcano in mid-eruption. Modern Hebrew has some things in common with Elizabethan English. It is being reshaped and it's expanding very rapidly in various directions. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.
English, for me, is an acquired language. I started with English at the age of 10. At the time, it was my third language.
I'm keen on making English language movies. English is still the global language and we can't change that.
Of course, English is a very powerful language, a colonizer's language and a gift to a writer. English has destroyed and sucked up the languages of other cultures - its cruelty is its vitality.
Simply coming to the perpetrator and delivering the message is Nozick's definition of revenge. And in that sense, Adi is exacting revenge. When people ask, "Does Adi want revenge?" - they mean violent revenge. But in Nozick's formulation, it is revenge. That is the essence of revenge.
My interest in language is steadfast, but I think each project and its accompanying intentions dictate how language must be used.
I don't hate language. I have my own language, but I also enjoy the English language. Obviously, you don't read a lot of literature and not care about language.
English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.
My mother always spoke to me in English, so it's technically my maternal language, and it became a kind of private language - I was happy that I could speak in English to my mum and the majority of people wouldn't understand it.
Sign language is my first language. English and Spanish are my second languages. I learned Spanish from my grandparents, sign language from my parents, and English from television.
One of my favorite tricks was taking a page and having the first student translate it from English into whatever language he or she was working on, and the next one would translate it back into English and then into the foreign language, and we'd go around the room and compare the two English versions at the end, and it would be amazing how much survived.
I spent ten years in London; I trained there. But because I started in English, it kind of feels the most natural to me, to act in English, which is a strange thing. My language is Spanish; I grew up in Argentina. I speak to my family in Spanish, but if you were to ask me what language I connect with, it'd be English in some weird way.
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