A Quote by Angela Carter
So I suppose I do not know how he really looked, and, in fact, I suppose I shall never know, now, for he was plainly an object created in the mode of fantasy. His image was already present somewhere in my head and I was seeking to discover it in actuality, looking at every face I met in case it was the right face - that is, the face which corresponded to my notion of the unseen face of the one I should love, a face created parthenogeneticallyby the rage to love which consumed me.
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They courted the face on the screen, the face of translucence, the face of wax on which men found it possible to imprint the image of their fantasy.
In the water I saw my father's face, and that face saw the face of its father, and so on, and so on, reflecting backward to the beginning of time, to the face of God, in whose image we were created.
A second later, when he looked up at me, we were face to face, and again, even under these circumstances, I was struck by how good looking he was, in that accidental, doesn't-even-know-it kind of way. Which only made it worse. Or better. Or whatever. "Yup", he said, as if there'd been any doubt, "you're in there, all right." "I was warned, too,"I told him, as he stood up. "I just saw that sculpture, and I got distracted." "The sculpture?" He looked at it, then at me. "Oh, right. Because you know it.
Now and then one sees a face which has kept its smile pure and undefiled. It is a woman's face usually; often a face which has trace of great sorrow all over it, till the smile breaks. Such a smile transfigures: such a smile, if the artful but knew it, is the greatest weapon a face can have.
If I canot know your name, may I light a lamp so I can see your face?' If you sould ever see my face, you will lose me forever.' Why?' Psyche wanted to know. 'Are you ugly? Are you afraid I won't love you if I see your face?' Perhaps I am afraid that if you see my face, it will be THAT that you will love and not me.' I understand, believe me. I know what that feels like.
I hear poets complaining: 'We face what our forebears did not face. We face TV. We face radio. We face this and that.'
Love doesn't last." She didn't know how much showed her pale face. Meribah's face softened. "Sometimes it does. If it's the right kind.
Robert Pattinson has the face of a film-noir dupe. It's a face that is searching and open and kind. It's a face that a certain type of woman might want to fool because, in its intensely old-fashioned kindness, the face says, I love you. Fool me.
I'm not a big fan of guitar face. You know, when someone's playing guitar, and they make this really embarrassing face, like they smush their lips together and... they look you in the eye and it's really humiliating. You know some people have that really embarrassing guitar face? I remember thinking about this when I was doing the DJing, because... you do have to focus, and that's what happens, it's your focus face. But you're in a movie, so you should probably lock it up.
Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.
I know my face is turning red. I don't want you to interpret it as being embarrassed. It's rage. The color of my face is rage.
I now know why people break up in e-mails and text messages. Doing it face-to-face is so hard because you have to stand in front of the person and witness their reaction. Face their wrath.
Every stone here sweats with suffering, I know that. I have never looked at them without a feeling of anguish. But deep in my heart I know that the most wretched among you have seen a divine face emerge from their darkness. That is the face you are asked to see.
The terrain of the face is the most dynamic thing you can point the camera at, to me. I love production design and bells and whistles and all of that. I love a technograin as much as the next gal, but a great actor's face? What else should we be looking at?
How shall Integrity face Oppression? What shall Honesty do in the face of Deception, Decency in the face of Insult, Self-Defense before Blows? How shall Desert and Accomplishment meet Despising, Detraction, and Lies? What shall Virtue do to meet Brute Force? There are so many answers and so contradictory; and such differences for those on the one hand who meet questions similar to this once a year or once a decade, and those who face them hourly and daily.
Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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