A Quote by Angela Cartwright

Working with Danny Thomas was truly an adventure every week. Danny didn't always say the words as they appeared in the script. I learned more by osmosis than by sitting down together. He was a force to be reckoned with: an explorer of television.
Since I worked with Danny Boyle before on Slumdog Millionaire, we have great success and everything. So, when I first got the script and the screenplay of Simon (Beaufoy) and I was reading it, even before the shoot, some kind of sounds came into my mind and I put some stuff [down] and sent it to Danny when he was cutting the movie.
I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.
If people want to compare me to Danny DeVito, that's the biggest gift there is. I think Danny DeVito is fantastic.
My father (Danny Thomas) used to tell me there are two kinds of people, the takers and the givers. 'The takers sometimes eat better,' he would say, 'but the givers always sleep better.'
I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.
I wasn't sure what to expect when I toured with Danny from The Script, but he is so nice.
I started by writing, with my partner Ed Simmons, a monologue for Danny Thomas, that he performed at Ciro's nightclub in Los Angeles.
I learned a few things on my own since, and modified some of the things he taught me, but everything, unequivocally, that I learned about comedy writing I learned from Danny Simon.
No fighter has more fundamentals and overall skill than Danny Garcia.
This is more dangerous than double dating with Danny Bonaduce on the Kennedy compound.
Shaun White and Danny Kass were obsessed with trading Olympic pins. I bet they can say 'pin' in every language.
More than a pleasant surprise, Danny Schmidt was no less than a revelation to me. And that's not a word I use lightly.
Yeah, the first television match that I'm going to have, I got put out there with Danny Hodge and I was scared to death.
-“Say no more,” Leif interrupted. “I understand. I will simply have to kill them all myself.” -"There he goes again. I’m telling you, Danny Elfman would love to get hold of those lines." -"Not John Williams?" -"If you’ve got some hopelessly overmatched heroes fighting evil and some Imperial types marching, John Williams is your guy. You need a song to make people reach for a box of Kleenex, talk to Randy Newman. But if you want creepy atmospherics and spine-shivering chords to back up your casual death threats, you gotta bring in Danny Elfman.
I was the security guard that got stationed directly outside the Eagles locker room or on the field. I don't even know what I did. But there was Jon Gruden, Ray Rhodes, Emmitt Thomas, Danny Smith, all those guys that are legends of the game.
I look at the things that Dick Van Dyke and Danny Kaye do on television, and I think: Maybe I could do that. And I never miss a Jack Lemmon picture.
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