A Quote by Angela Lansbury
Those of us who were 12 or 13 when the war started were absolutely thrown into the mainstream. We had to grow up instantly and take care of ourselves.
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We thought that the odds of things working OK were up in the upper 90 percent or we wouldn't have gone. But the - there were some problems cropped up on the flight but was able to take care of those OK and - although they were things that we hadn't really trained that much for. But it was the time of the Cold War and so there were was a lot of pressure on the - to get going and the Russians were claiming that they were - Soviets were claiming they were ahead of us in technology.
Whether or not the working class came to Chicago in 1969 in the Days of Rage is not a measure of their commitment to stopping the war or to seeing life in certain way. There were very few of us who were there, and those of us that were had an illusion about ourselves.
We were discovered by Don Fury; he was the first record producer who discovered us and essentially plucked us out of the rough. But I think in another way, we were discovered when we discovered each other, right before we started high school. We were 12 and 13. I don't want to speak for Justin Beck, but that's a big moment, linking up with your foil for the first time. Glassjaw definitely changed my life in the biggest way possible.
If you look back to the anti-intervention movements, what were they? Let's take the Vietnam War - the biggest crime since the Second World War. You couldn't be opposed to the war for years. The mainstream liberal intellectuals were enthusiastically in support of the war. In Boston, a liberal city where I was, we literally couldn't have a public demonstration without it being violently broken up, with the liberal press applauding, until late 1966.
I did not come from an academic background. My father was a smart man, but he had a fifth-grade education. He and all his friends were plumbers. They were all born around 1905 in great poverty in New York City and had to go to work when they were 12 or 13 years old.
I remember the moment in which we were taken hostage in Libya, and we were asked to lie face down on the ground, and they started putting our arms behind our backs and started tying us up. And we were each begging for our lives because they were deciding whether to execute us, and they had guns to our heads.
I mean, when we did 'Families At War,' on Saturday night prime time, people said we were mainstream then. But it wasn't in the least mainstream. The fact that we got that on BBC1 at that time with those ridiculous things, that's as mainstream as we get. We do what we do and people can think that it's mainstream or avant-garde.
I wrote my first song at 12 and remember someone asking, 'What were you going through at 12 that you could write about?' I get what you're saying, but 11, 12, 13 were the hardest years of my life. You learn everything. You learn how horrible things feel.
Caring. And reading the Bible, learning about God, Jesus, love. He said, 'Bring on the children', 'Imitate the children', 'Be like the children' and 'Take care of others.' Take care of old people. And we were raised with those values. Those are very important values and my family and I we were raised with those values and they continue strong in us today.
Undeniably, we were on God's side in World War II and the Cold War. But were we ourselves without sin in those just struggles?
It's funny how comedy is, you look at people like French and Saunders, when they started out they were very alternative. A lot of those alternative comedians have ended up being mainstream, they know that longevity is about being mainstream.
We were never thrown into the situation in the middle of our lives, but grew up doing it. This is all we know, and some people who were thrown into it don't really know what to do or how to react and this is just kind of natural for us.
My other brother, the Lord Lucas, who was Heir to my Fathers Estate, and as it were the Father to take care of us all, is not less Valiant than they were, although his skill in the Discipline of War was not so much, being not bred therein.
In 1981, when I passed out of Class 12, you could either become a doctor or an engineer. If you did not take up Science in Class 12, you were not considered a good student. The Arts were a no-no.
We were together because we were addicted to each other. I was never as intoxicated as I was when we were happy together, and I knew it was the same for him. We were putting ourselves through the wringer for those moments of perfection between us, but they were so tenuous that only our stubbornness, determination and love kept us fighting for them.
The advertising men made it clear that there were two ways of looking at ideas in a war against fascism. Those of us who were working on the project believed ideas were to be fought for; the advertising men believed they were to be sold. The audience, those at home in wartime, were not 'citizens' or 'people.' They were 'customers.'
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