A Quote by Angela Rayner
I wanted to prove I wasn't that person everyone wanted to stereotype me. You can slag me off, I talk about my upbringing now and try and do it in a way that inspires others, but I never felt good about it.
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I have a general feeling that writers and artists who are in this peculiar situation, of being a persecuted artist, all anyone ever asks about is the persecution. It may well be that's the last thing in the world they want to talk about. There were many years in which every journalist in the world wanted to talk to me, but nobody wanted to talk to me about my work. That felt deeply frustrating because I felt there was an attempt to stifle me as an artist. The best revenge I could have was to write.
If you just had an inspiration at night or with a girl or whatever and you want to talk about it, you don't necessarily want to share it with everybody . . . That's the first thing that made me want to go solo; I wanted to talk about my own things, I wanted to try to be creative [in] my own way.
Growning up I felt incredibly guilty anout my fantasies and the things I wanted sexually. I was like: "Why do I feel this way? I don't understand it, but nobody's going to talk to me about it because we're not allowed to talk about that..."
I was being trained because I wanted to be a preacher like my father. I wanted to talk about Moses; I wanted to talk about God... I wanted to talk about the apostles, the disciples and all that.
Nothing in life prepared me for the way I felt about being a mother. Until then, I sort of felt like a blank sheet of paper. I was always trying to second-guess myself, to be what others wanted me to be.
I'm not good for you. I don't know why you make me want you so bad. I was angry with myself when I said all that earlier. I was mad because I wanted you in a way I'd never experienced before. Before you, I just wanted to excel in football and school. I wanted my parents to be proud of me. But now, I want other things too. You get to me in a way I don't understand
I have that need in me, I want everyone to love me, but I'm embarrassed by that need, so I wanted to cover it up in my persona. I felt like I wouldn't be able to do stand-up for a career if I was needy. I didn't want to be complaining or whining onstage. I wanted to be cool and do exactly what I wanted to do. That way I would never have to change for anybody.
I never wanted my kids to feel about me the way I felt about him.
It was probably years before I was confident enough in stand-up that I was able to talk about the things I wanted to talk about, the way I wanted to talk about them.
I always wanted praise, and I always wanted attention; I won't lie to you. I was a jazz critic, and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, 'What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.'
I always wanted praise and I always wanted attention; I won't lie to you. I was a jazz critic and that wasn't good enough for me. I wanted people to write about me, not me about them. So I thought, What could I do? I can't sing, I can't dance, I can't act or anything like that. OK, I can write.
Talk to me about sadness. I talk about it too much in my own head but I never mind others talking about it either; I occasionally feel like I tremendously need others to talk about it as well.
There were some things I wanted to talk about. I wanted to talk about depression in public, I wanted to talk about being in the shadow of people I've dated and people I worked with publicly.
We live and breathe words. .... It was books that made me feel that perhaps I was not completely alone. They could be honest with me, and I with them. Reading your words, what you wrote, how you were lonely sometimes and afraid, but always brave; the way you saw the world, its colors and textures and sounds, I felt-I felt the way you thought, hoped, felt, dreamt. I felt I was dreaming and thinking and feeling with you. I dreamed what you dreamed, wanted what you wanted-and then I realized that truly I just wanted you
Creating emotion was what my career was all about. I wanted people to laugh at me; I wanted people to cry with me. I wanted people to feel good or to think about something when they watched me. I think that's why, even not being an Olympic champion, I have such a huge following around the world.
I loved watching documentaries and had wanted to try making one for years - I'd just put it off as other opportunities arose. But I felt like time was running out for me if I wanted to do it.
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