A Quote by Angela Yee

I like when I do interviews with an artist and they may not have liked an artist at first but after they see my interview they'll like them better. — © Angela Yee
I like when I do interviews with an artist and they may not have liked an artist at first but after they see my interview they'll like them better.
I love seeing original cartoons. You get to see the artist's corrections, like erasures or Wite-Out or patches, and you get to see the artist's line in better detail, and what kind of ink they use - whether they like a cold black or a warm black, and what kind of paper they like, how big or small they like to draw - art nerd stuff like that.
Other than the 'Sesame Street' soundtrack, which I was obsessed with, the first artist I really felt I'd discovered on my own was Amy Winehouse. She was the first female artist I wanted to write like and sing like and be like.
When I first started doing press interviews, the big question was, 'Do you think women are funny?' People would ask you that in an interview. In an interview! It's like, of course they are.
I might ask about the first time a person heard a song that they really responded to, like when I asked Mos Def when he first "got" hip-hop and he went into this memory about how hearing someone rap really affected him. He wasn't simply remembering the event. It was almost like he was occupying that space again. When you can really transport an interview subject like that, your readers can feel it and it helps them to connect with the artist.
Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?
If I'm writing for a particular artist, I definitely think about their past records, pay attention to the type of tempos that they like. If I have the privilege of actually being in the session with the artist, I just like to have a conversation with them.
I started out as an artist, and I continue to think of myself as an artist first, and a technologist and entrepreneur after that.
There's no diploma in the world that declares you as an artist—it's not like becoming a doctor. You can declare yourself an artist and then figure out how to be an artist.
I think when I was doing my very first interviews, I probably brought a notepad and did ask people my first fifteen questions while sitting in a Starbucks or something horrible like that. And I found that, oftentimes, the most important thing at the very first interview is just establishing a personal connection and developing some sort of rapport so that I can go back to them again, and then maybe again, and maybe again after that.
It became like a symbolic thing, to be “an artist.” After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
I like to tell the artist what the song or album means to me, in detail. Then I let the artist run with it and create in an unrestrained manner. Once the artist gets back to me with a few ideas, I like to do the little changes to make it perfectly speak to the audience.
If the function of the artist is to see, the first duty of the critic is to understand what the artist saw.
My first interview at 'SI,' I sat in silence next to Guy LaFleur for five minutes on the New York Rangers team bus until he finally broke the ice. Those early interviews, every one of them was like a terrible first date.
My first interview at SI, I sat in silence next to Guy LaFleur for five minutes on the New York Rangers team bus until he finally broke the ice. Those early interviews, every one of them was like a terrible first date.
The first choice an artist makes is precisely to be an artist, and if he chooses to be an artist it is in consideration of what he is himself and because of a certain idea he has of art
I'm never too nervous about releasing music. I like to see what the people think because it helps me make myself better as an artist for them.
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