A Quote by Angeles Mastretta

We, in the late '60s, '70s and '80s, are acting like we have just discovered freedom and liberation. But I'm sure that many women have worked for that for such a long time.
When I began writing poems, it was in the late 60s and early 70s when the literary and cultural atmosphere was very much affected by what was going on in the world, which was, in succession, the civil rights movement, the antiwar movement, and the women's movement in the 60s, 70s, and into the early 80s. And all of those things affected me and affected my thinking, particularly the Vietnam War.
Today, in British education, we don't have that kind of freedom. Now there are many regulations, many rules, and bureaucracies in the education system. So, it doesn't have the flexibility that it had in the '60s, '70s, '80s.
I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.
I was born in the late '50s, was a child of the '60s, then the '70s, then the '80s, then the '90s, and I have mental fingers in all those pies.
Depending on which side of the fence you're on, you could argue that the sexual liberation of the late '60s, led to women being emancipated in some ways. That they found a voice during that time, with feminism. It's complicated.
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent.
I just love glamour so any time period that had a lot of excess and glamour, I draw inspiration from. All the stuff from the 60s and 70s, very specific times in the 80s.
Well, I think one of the reasons Chicago became so popular as a filmmaker location is because New York had been used so many times that Chicago, I think, was rediscovered maybe in the late '60s, early '70s for a long time as a new location.
If Star Wars had been released in the late '60s, or late '80s, or late '90s, adjusting for technology, it fits spectacularly well.
I had been thinking about rubber all along. Like as the novel's element, or base material. A lot of artists in the late '60s and early '70s worked with rubber and other forms that seemed like they connoted industrial detritus. Robert Morris, Eva Hesse.
I was a big fan of X. I've probably seen 100 X shows during their time in the late '70s and early '80s.
I have done a series in the '60s, '70s and '80s.
By the time [of modern] generation was coming of age sexually, there was already this idea of safe sex. But that didn't exist for me. I came out of the free-swinging '60s and '70s. It was free love, baby. That was it. We had very liberal sex-ed classes in 1973, a yearlong environmental science class, and then Women's Lib and Gay Liberation. So it's insane to go from that to Reagan and AIDS. It was like, "What happened? Where's my future?"
I am going to sing into my 60s and 70s and 80s, if I can.
First as a peace activist in the late '60s, then as a political activist in the '70s, and then in joining the armed clandestine resistance movement that was developing in the '80s, I am guilty of revolutionary and anti-imperialist resistance.
I would go into my three different sisters' rooms in the early-mid '70s and they had very specific different tastes in music. I specifically remember lying on my different sisters' bedroom floors and listening to their record collections. And "Starship Trooper" was one of my sister Nancy's favorite songs and favorite album. Music is so defining for me. In the late '70s and early '80s, I worked in radio. When I was in high school, I worked at two different radio stations.
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