A Quote by Angelina Jolie
It was weird to be married; you kind of lose your identity. You're suddenly somebody's wife. And you're like, 'Oh, I'm half of a couple now. I've lost me.'
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If you're on a date and somebody comes up and says, "Oh, I loved you in Harry Potter," it's a bit weird, because you suddenly start thinking, "Oh, God. Is this weird for the other person I'm here with, or is this weird for my family?" But generally speaking, I don't really think because I was thrown into it so young and kind of always had that, it's just something you get used to. And most of the time... It was interesting.
You're asking somebody who has a wife and is really happily married, 'So, what's your next wife going to be like?' And I'm like, 'What?'
MYOB - mind your own body. It's important because I don't happen to have the kind of body that we usually see on television and in films. I am plus-size. I have dark skin. And I am 100 percent beautiful. But I get a lot of flak - oh, you should lose weight. And now that I have lost weight - and I lost weight for health reasons - I get, you look good but don't lose too much weight because your face is starting to sink in.
When we were getting married the Hindu way in Arrah, we had an old guest who asked my wife what her 'good name' was. I think she'd heard that I had married a Muslim. When my wife said, 'Mona Ahmed Ali,' the lady looked at me and exclaimed, 'Oh, so you've married a terrorist.'
You know what a wifey means? It's like your other half. Like when you get married, like, that's your wife!
I have a rule of thumb now and that's that somebody [she dates] has to have been married and they have to have had kids. Everything boils down to perspective. If your potential mate does not have the same perspective that you do then you're going to be lost.... If somebody has never been married, they don't know compromise ... [and] if they don't have children, they don't know the absolute self-sacrifice it takes and what it means to be a parent.
If somebody says to me, 'Oh, you're gonna get married and you'll never be attracted to anybody else again,' I'm like, right, sure. It's just not practical to me on an emotional level. Just because I'm married, I'm not dead.
Johannesburg is weird, because half of it is like Los Angeles. It feels like just wealthy parts of L.A. But half of it is severe slummy, something like Rio De Janiero or something. So it's kind of weird, because it's both happening at the same time.
The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.
In television, there's this weird sense of isolation from your audience; you kind of get this feeling that you write the show for you and your wife and your friends and the other people who work on the show. It's our little show, and then it goes out into the world, and somebody watches it.
Let me tell you something, my wife died for Tuesdays ago. Cancer of the colon. We were married forty-one years. Now you stop feeling sorry for yourself and lose some of that pork of yours. Pretty girl like you - you don't want to do this yourself.
It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.
I still wanted to see the family come back to life. And when that didn't transpire from the music, it kinda made me feel like I was bein' taken advantage of. I thought, when people heard '8 Diagrams,' they'd be like, 'Oh, Wu-Tang is a wrap now - they've lost it.' And I know that we didn't lose it.
It was like a dream to me to suddenly get into the market with that kind of movie, like La Haine. It actually created my identity as an actor, that thing.
If you lose your wealth, you have lost nothing; if you lose your health, you have lost something; but if you lose your character, you have lost everything.
I had a couple of movies that I was passionately involved with that I could never get made. 'Richard Pryor,' I wrote for - gosh - over a year. That was close to getting made for two-and-a-half years after that. We're still pushing it, you know. It is weird. Suddenly you wake up and it's like, 'God, five years have gone by.'
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