A Quote by Angelina Jolie

I tend not to look back and dwell on a project once it is finished. — © Angelina Jolie
I tend not to look back and dwell on a project once it is finished.
I tend not to look too much back; I tend to look forward. So, I suppose, I know, I've had probably most of my life, and there's less going forwards than there is going back, but I prefer to look in the future.
I look back on my life like everybody does but not just career. I mean I look back on my life as a whole, so I don't think that I dwell there or anything and in terms of work I hope that there is a lot in front of me.
I would say the producer is the person who is there from the beginning to the end of the project. Either the person who creates, generates, or discovers the project, the person who performs many of the functions that are necessary to getting that project to the point where it is financed and then where it is in production, finished, marketed and released.
Do not dwell on what once was, but rather look forward and ponder how you can make the future brighter
Oh, there's no such thing as my favorite performance. I can't sit here today and look back, and say, Top Hat was better than Easter Parade or any of the others. I just don't look back, period. When I finish with a project, I say 'all right, that's that. What's next?'
I've finished fights from my feet, I've finished fights with my ground-and-pound, and I've finished fights from my back with a submission, from top with submission. You name it, and I've finished a fight that way.
I have never had great expectations of my performance or of a film. I try not to think about the outcome. If you look that far ahead, it sort of taints your choices as an actor. I try as hard as I can to believe that no one is ever going to see it and that it's not even a movie. Then you can allow yourself to bare more. Then, once a project is done, I tend to forget about it until it comes out.
Once you get it in your head you're finished with something, to go back, it hurts.
I tend to write longer narrative pieces after I've finished writing a novel - when the fiction's finished and put away, and I have a chance to take all the ideas that are buried inside of my novels and work with them directly.
For me, once I've worked on something and it's finished, it's like an ex-boyfriend: you don't go back to them.
A masterpiece is something said once and for all, stated, finished, so that it's there complete in the mind, if only at the back.
I gave my life to Christ, and I thought that would be it for me, and He was, like, 'No, you're not finished with acting; acting is not finished with you. This is your talent. Go back into it, but you're going back into it with a heart that's not obsessive over it.'
You that in far-off countries of the sky can dwell secure, look back upon me here; for I am weary of this frail world's decay.
The trick is not to look back, but keep on expressing where I'm at now. It's challenging to create something new, so it's crucial to dwell in the present moment.
Once I finished, I got that procrastination monkey off my back! And I started seeing doors opening.
I think once you've finished a movie you really have to detach from it so that you can come back and watch it as an audience member.
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