A Quote by Angelina Jolie
It is a joy to be an artist, but it doesn't mean very much unless that work is somehow useful in some way and contributes to others.
Related Quotes
This has been my life for many years; one role feeds the other. It is a joy to be an artist, but it doesn't mean very much unless that work is somehow useful in some way and contributes to others.
I think it's very valuable as an actor to throw yourself back into having that direct connection with an audience on-stage and work that muscle. It is a very different type of work and equally fascinating. I mean, I've very much in love with filmmaking because I really love the way you can tell stories with a camera and how music and everything contributes to the story in a very direct way. But I also think it's very valuable to come back to theatre, so if the right script came along I would love to come back to London and do some more.
If you're an artist or someone creative, it's all about cheap rent and not having to work for a living. That's what it's always been about. Unless you're a trust-funder or you somehow score a great part-time job or you work for another artist, you're going to go where you can afford to live.
I decided that the whole idea of what it means to be an artist was that somehow you are ontologically oriented toward poverty : "As an artist, you don't make money." I had to figure out some kind of way to guarantee that I'd be able to continue doing the work that I wanted to do, whether I made money from the work I was doing or not.
I think... it is somehow very useful, and maybe even essential, for a fine artist to have to somehow make his peace on the canvas with all the things he cannot do. That is what attracts us to serious paintings, I think: that shortfall, which we might call 'personality,' or maybe even 'pain.'
Well, I think critics are very useful. But I think that they, in a way, betray their position when they stop people looking for themselves. Judgment is very easy, but I think, on the whole, professional critics maybe see too much, and compare too much, and forget the joy of actually looking and contemplating for its own sake.
When your dreams include service to others - accomplishing something that contributes to others - it also accelerates the accomplishment of that goal. People want to be part of something that contributes and makes a difference.
When the New Yorker turned down work, they turned it down in such an elaborately gentlemanly way making apologies for their own shortsightedness. Undoubtedly it was their fault but somehow for some reason this fell short of the remarkably high standard that you by your own work have set for yourself. They had a way of rejecting my work that made me feel sorry for them somehow.
I want to be able to work a piece of wood into an object that contributes something beautiful and useful to everyday life.
I believe that the artist's feelings are in some way generative. And I suspect that much of the artist's most productive emotion - not all of it but much of it - is felt in the course of playing around with form.
It's very difficult to put in the work unless you believe that what you're doing is significant in some way.
I think that's what so exquisite and unique about New York, it's a city that allows you to hone your craft as much as possible. There is no good or bad, somehow, strangely, there is no beginning or end. You certainly qualify it with the opening or closing of a run, but what's extraordinary is that you are actually allowed to be an artist here. It's very "belle époque," but somehow continually. That's why I love New York so much, honestly.
I wouldn’t want to be labelled unless it was something much broader and inclusive such as an ecological artist or a visionary artist, but there’s a constraint in the definition of a feminist artist, you’re an artist and you’re a feminist.
Laughter is a strange response. I mean, what is it? It's a spasm of some kind! Is that always joy? It's very often discomfort. It's some sort of explosive reaction. It's very complex.
Information doesn’t deserve to be free. It is an abstract tool; a useful
fantasy, a nothing. It is nonexistent until and unless a person experiences
it in a useful way.
No one is so rich that he does not need another's help; no one so poor as not to be useful in some way to his fellow man; and the disposition to ask assistance from others with confidence and to grant it with kindness is part of our very nature.
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