A Quote by Angelina Jolie
When you have kids it's nice to have a place where they can always return to and some place where they will grow up in, but I never had that. I'm not attached to things and places. I like that we [the family] keep moving. It's a nomadic life, and I think that's a great life. I'm excited when we take our kids to a new country and they don't just immediately look for the comforts of home. They blend into that country. Send them to any place in the world and they won't be scared. They'll just feel like they can make friends there.
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Old age is another country, a place of strangeness, sometimes, and dislocation. There's a lot to be done in this country, and a great deal of pleasure there. There are friends, some of whom are sick and needful of you, as you will be of them someday. The world itself is very beautiful. It's a place where you have a lot to do. But you have to do it knowing that sometimes you will be afraid of this new country.
I feel like I've never had a home, you know? I feel related to the country, to this country, and yet I don't know exactly where I fit in... There's always this kind of nostalgia for a place, a place where you can reckon with yourself.
My new apartment might be a place where there are lots of children. They might gather on my porch to play, and when I step out for groceries, they will ask me, "Hi, do you have any kids?" and then, "Why not, don't you like kids?" "I like kids," I will explain. "I like kids very much." And when I almost run over them with my car, in my driveway, I will feel many different things.
I feel like I've finally got to this place that I really want to be. The place where, in my fantasy, the characters just get up and walk around - this interstitial place between humans and dolls. But I also feel like, where am I supposed to go from here? Because this feels like the place I've always wanted to be, for my whole life of shooting.
As individuals, people are inherently good. I have a somewhat more pessimistic view of people in groups. And I remain extremely concerned when I see what's happening in our country, which is in many ways the luckiest place in the world. We don't seem to be excited about making our country a better place for our kids.
I like any story that starts one place and really takes a huge journey to a whole new place; that people in their life want to take that journey. They want to be able to find things in their life that aren't working and work through them to a new place of change.
I'm like a gypsy. I've got a place in Beijing, a place in New York, a place in west Africa; I'm working on a place in Colombia. I like the fact that painting is portable - and I've wanted my entire life to be able to see the world, to respond to it, and make that my life's work.
I prefer shooting on location, just because it always helps you. You go some place, you put your life on hold even more than when you've settled in some place. You can make a new life so it opens yourself up to the make-believe and the imagination in a way when you aren't burdened by things that remind you of your life all the time.
My favorite place in Indonesia is Bali. I was there with my family in Nusa Dua, and my kids loved it. I'm a workaholic, so for me, Bali is a place where you can have a vacation, but you can have your own moment as well. You feel like you blend with nature - and I love the beach.
I think that 'Station to Station' is a nomadic project not only in a literal sense, as it's traveling by train from place to place. Some of these places are New York City or Los Angeles, but some of these places are rather off-the-grid places.
I feel like the most fascinating parts of a trans life take place after the decision to transition. They take place when you're in this new body, in this new life, and you start realizing things.
Leaving your country at a tender age really rearranges the way you perceive the world. So I feel marginally attached to many places rather than deeply attached to any one place.
Ever since I've become a filmmaker, I'm traveling the world a lot. I feel like I'm a citizen of the world, yet there's no single place that I can put my roots down and call home. I don't own anything. I'm not a homeowner. I've always rented and never stayed in one place for long. Almost every time I rent a place, I have some sort of water leakage or flooding. Whenever that happens, I just move somewhere else. Even when I moved to Paris, my apartment started leaking after a month. Maybe the leaking is just part of my life, doomed to follow me around.
I was a very determined kid. I couldn't imagine any other life for myself. This happens to kids who are different in any way. How am I going to make a life? Who am I going to be when I grow up? Will there be a place for me in the world? Acting gave me a sense of purpose, but it also gave me a sense that I would survive, that I would find my place.
I think I’ve said this before many times—that photography allows you to learn to look and see. You begin to see things you had never paid any attention to. And as you photograph, one of the benefits is that the world becomes a much richer, juicier, visual place. Sometimes it is almost unbearable — it is too interesting. And it isn’t always just the photos you take that matters. It is looking at the world and seeing things that you never photograph that could be photographs if you had the energy to keep taking pictures every second of your life.
I'm living in Sydney now - but you know when you've grown up in a certain place and you end up living in another, you never really quite feel like it's home. You feel like a bit of an impostor. I feel like I'm in a place that's moving faster than I can swim.
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