A Quote by Angelina Jolie

I hide my emotions mainly because you don't want somebody to know that you feel sorry for them, because they will feel worse, or because you don't want someone to know or see your fear. If someone like a sick kid or a burn victim sees your fear, they respond to how you respond. And if you show them it's terrible, they will get upset. It's something I've learned over the years.
I try not to respond to trolls. I've learned blocking. If anybody is truly mean to me, or says something arrogant - don't respond, you'll only empower them. If you give them anything! So I'll block 'em. Or, if someone's annoying, but yet I still kind of like them, I mute them. Because they don't know! So then, it still looks like we're connected, but I don't have to listen.
I'm so disappointed, Ichigo, so very disappointed. Sadly, your sword exhibits only fear. When you counter, it's because you fear being killed. When you attack, you fear killing. And when you protect someone, you fear you could let them die. At this point, the only thing your sword speaks is sensless fright, and that's not good. What you don't need in battle is fear. Nothing will come of it. When you counter, you don't let them cut you. When you protect someone, you don't let them die. And when you attack, you kill." -Kisuke Urahara (Bleach)
For me, the biggest thing I've learned is how to be myself and the fact that viewers actually want to feel like they're getting to know you as a person. They value you because you're a reporter and you're bringing them new information, but they also want to feel like they get a sense of your sense of humor and what things you're interested in.
A voice is very intimate. It's something of your own. So there's always this fear, because you feel naked. There's a fear of not reaching up to expectations. As you become more famous, people come and expect to hear something extraordinary, so you don't want to disappoint them. I feel this sense of responsibility.
I liked that you have to sometimes get into a situation that might not be a comfortable one - so, overcome your fear and good things will happen - if you want someone to know something, or you have to really take charge and do it yourself and go for it. With the Boxtrolls, they want people to know they're not mean guys, but they're too scared to show anyone. They have to eventually work up the courage to show that and gain the confidence.
Each day, life will send you little windows of opportunity. Your destiny will ultimately be defined by how you respond to these windows of opportunity. Shrink from them and your life will be small, feel the fear and run to them anyway, and you life will be big. Life's just too short to play little.
My sister, Swede, who often sees to the nub, offered this: People fear miracles because they fear being changed--though ignoring them will change you also. Swede said another thing, too, and it rang in me like a bell: No miracle happens without a witness. Someone to declare, Here's what I saw. Here's how it went. Make of it what you will.
I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
The difference between fear and panic is knowing what to do. If you have a reliable, effective solution then fear is an asset. You know what to do and fear just makes you do it faster. On the other hand, if you don't know what to do - or don't trust what you know - then you will freeze in terror, because you have no clear goal or way to get there. Fear helps, panic hinders. Fear is your savior, panic your nemesis.
There's a gift in your lap and it's beautifully wrapped and it's not your birthday. You feel wonderful, you feel like somebody knows you're alive, you feel fear because it could be a bomb, because you think you're that important.
I remember when I was a kid, with the acting thing, I resented it because, you know, you don't want to do what your parents want you to do. You got your own things. And the whole idea of getting a job because of who your father is - that didn't feel right. But after a while I guess I figured I must be doing something right, because people wouldn't keep hiring me if I didn't have something to give.
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
I only know what it's like to be an author with social media. I can't compare. I do think we lose the mystery of the author. Today, I get tons of e-mails and Facebook messages from readers, and my goal with Twitter and Facebook is, if someone reaches out to me, I'm going to respond to them. I don't want to be an elitist author who is untouchable. I'm just a regular person, too. I will always respond to everybody.
When you sit down and play your music for someone you respect, you get that feeling in your stomach of like: 'Oh my God...' You know if it's not great because you start to feel sick.
I may not know the weight of those things, but I could feel the weight of that one, so I kept it to myself. You know that things aren't going well for you when you can't even tell people the simplest fact about your life, just because they'll presume you're asking them to feel sorry for you. I suppose it's why you feel so far away from everyone, in the end; anything you can think of to tell them just ends up making them feel terrible.
I hit my head against the wall because I don't want to know all the terrible things that I know about. I don't want to feel all these wretched things, but they're in me already. If I don't get rid of them, I'm not ever going to feel anything else.
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