A Quote by Angie Martinez

I might like somebody, and have to go interview somebody that hates them, but I still have to be fair. — © Angie Martinez
I might like somebody, and have to go interview somebody that hates them, but I still have to be fair.
It has to be fun for you when you see somebody at a distance and you take their opinion of what they're going to be like and then you go interview them, and they're totally different. You're like, wow, I didn't expect that.
The passion is my favorite part of the city [Philadelphia]. You go from 'we love you' to 'we hate you' back to 'you walk on water.' You're driving, and somebody might wave or somebody might flip you off.
To me, the best purpose of an interview would be to illuminate some things about how somebody works for the benefit of somebody else who wants to do those things. And that's not where most interviews go at all, so to me, they seem like strange exercises in small talk and wasted air.
Somebody has to give a wakeup call to our coaching world to ask them real questions and show them that if you have kids, then you know there is no way you can talk to somebody else like that, because that's somebody's child.
All my life I've felt like somebody's wife, or somebody's mother or somebody's daughter. Even all the time we were together, I never knew who I was. And that's why I had to go away. And in California, I think I found myself.
Somebody's girlfriend," she said. "Somebody's sister, somebody's daughter. All these things I never knew I was before, and I still don't really know what I am.
If you perform on a stage or you sing a song, it's like you sing your song, and then the words go into the air, and then they go into somebody's body through their ears, so it's kind of like penetrating somebody. It's kind of like having sex with somebody - but, obviously, from a great distance.
I tried to be a serious student and not procrastinate, but I was still somebody that would be described as somebody who liked to have fun, too, and go to the occasional party - or two or three.
I'm in total celebrity denial in general, but there's awareness that probably if somebody has met you, they might go and tell somebody. I just would rather have the word on the street stay at a neutral, not like, "She shows up in a ball gown," but "She seemed nice." That's fine.
I think what I bring to the table is a lot of heart, a lot of energy, and somebody that works hard. Somebody who hates to lose.
I wish the media and people that work in media would realize sometimes - and I know it doesn't pay your bills - but sometimes just sit back and think, like, 'Man, what if this was my child? And somebody was doing this to them? And they had to go through it? If somebody bashed them like this?'
Somebody might try to steal your backpack, somebody might throw bread at you in the lunchroom. I was the kind of kid that if you did that, I wanted to fight.
People have forgotten what the human touch is, what it is to smile, for somebody to smile at them, somebody to recognize them, somebody to wish them well. The terrible thing is to be unwanted.
I was spurred by the fact that having worked for women's magazines myself as a journalist, if you go off and interview a female celebrity, I'd just go in and interview them like I'd interview any human being and talk about the things that interested me. And you'd come back, and you'd file your copy. And then my editor would read through my copy and go, why haven't you asked them if they want kids? And I'd be like, well, I don't know, I interviewed Aerosmith last week. And I didn't ask them that.
If you go back to the hood in America, I think most of them look at me like an icon. An icon is somebody they wanna be. Somebody who can relate to everything that they're going through at the time. So, I'm definitely an icon.
Excuse me, guess I've mistaken you for somebody else, somebody who gave a damn, somebody more like myself.
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