A Quote by Angie Martinez

I got my bearings, I began to focus. My mother was very supportive. When I came back to New York I landed a job at Hot 97. — © Angie Martinez
I got my bearings, I began to focus. My mother was very supportive. When I came back to New York I landed a job at Hot 97.
When I was forty, I was getting divorced, living in a low-class, dirty hotel in New York. My mother was dying of cancer. I owed $20,000. That was about the lowest. I came back to show business, and I couldn't get a job. I was turned down by every small-time agent in New York.
I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
I remember going into a raggedy studio, still with my work uniform on. At the time, I was driving money trucks for Wells Fargo, so I had my gun and hat, which weighed me down in the heat. It was 97 degrees here in New York, and they had to turn the air conditioner off because it was too loud. So, I say, "Damn, it's hot in here!" That's how we came up with the song, "Damn, It's Hot." It was from our soul. We just got together, sang and made our own lyrics.
My parents were very humanistic, but where we lived was not the cultural center of the world. Hardly. So I came to New York for two reasons: to find my own kin and also to get a job. And that's what I came to New York for in '67.
First job I went out on in new York I got, and when I came back, the first job I went out on, I got.
New York City life is different from all other city life. It's incredibly relentless and fast, and I think when I first got here, it was incredibly exciting. It was also so hot. I didn't know New York got so hot. I'm not a fan of the heat!
I just got back from New York, and I realized in New York, it's very difficult to hear a New York accent. It's almost impossible, actually - everybody seems to speak like they're from the Valley or something. When I grew up, you could tell what street in Dublin someone's from by the way they talked.
I came over here with $100; it was 1983 and I just ended up staying. New York at that time was very inexpensive and it was very easy to get a job. We lived on Staten Island and you could get cheap rent. It was a good time to be in New York.
My whole family is in the arts some way or the other. My father was a cellist in a symphony outside Chicago that was a side-job, he was a scientist. My mother was a dancer in New York. She was next-door neighbors with Dorothy Loudon and they moved to New York together. Mom was a dancer in New York for several years before she got married. My sister was a classical pianist. And my brother was a partier. So it all just seemed to work.
I'm from California, but my father, who passed away when I was young, was from Newark. When I was kid, we would go back east and catch Yankees games. His side of the family are big Yankees fans. But, the real connection came in '97 when I moved to New York and became friends with the team.
I peeled off La Brea and went home and instantly made a reservation to come back to New York. Essentially, I fired everybody that was in my life, my agent, my lawyer, my manager, my girlfriend and came back to New York.
Acting was absolutely my first focus. I graduated high school in L.A., and two weeks afterwards, I moved to New York City, and I got a job in a mail room, and I got an agent, doing what actors do, with head shots and all the rest of it.
When I came to New York in 1949, there was already an entire fresh avant-garde film movement blooming in New York and California. It was a very, very exciting period!
I'd excluded New York from my writing, and then I came back and I fell in love with it all over again... The energy comes from an absence, that yearning for New York when you are not there.
I'd excluded New York from my writing, and then I came back and I fell in love with it all over again. The energy comes from an absence, that yearning for New York when you are not there.
I went to school in New York and grew up in and out of New York. I love it, and I miss it, and every time I go back, I think, 'Why am I in Germany?' I do know that my career is really important to me, and in Germany, they've always been so much more supportive than my previous engagements in the dance world.
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