A Quote by Angie Thomas
I'm not sure I could ever write for adults. That's not to throw shade or anything, but I feel like teenagers are much more open-minded and willing to listen sometimes.
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Teenagers watch and listen to all kinds of things. It is the nature of being a teenager to seek out intense stuff. Stuff about death and sex and love and fear. Teenagers are the bravest, most curious, most philosophical, most open-minded readers there are, which is why so many less-than-young adults like writing for them.
I genuinely am sort of an emotionally stunted man-child, so if I just write to the top of my intelligence, it sounds like a teenager. I like being around teenagers. It's good for drama; they feel everything much more intensely than adults do, their lives are much more interesting than ours. They're mutants. They have these weird bodies that are rebelling against them and changing every day. Teenagers always equal good drama.
I do like people who are popular across the years and stuff like that, but I'm not a big pop music fan. I don't listen to the radio unless it's KCRW, like Booka Shade. Yeah, like weird music is what I'm really into right now. But I like anything really. There's just so much. I buy new music almost every day, so there's so much coming in that I don't even have time to listen to something more that twice.
I feel like, Estonia, the sky is so low, and the people are much more close-minded than in America. So when I came to the U.S., I had a massive explosion of creativity and felt like I could do basically anything I want.
I think people discredit teenagers and how wise they can be. Sometimes I meet teenagers who are much wiser than many adults I've met, because they haven't let any insecurities or doubts about themselves get in the way of their thoughts.
I'm very aware, but I'm very naïve. When you are really naïve and expecting safety and expecting the best, you don't feel you're taking risks. You can get smacked a little, but usually it works out pretty well. I would say that, as much as you can instill your open-minded naivety, if you're basically open minded, then you can do damn near anything.
We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.
Distinguish open-minded people from closed-minded people. Open-minded people seek to learn by asking questions; they realize that what they know is little in relation to what there is to know and recognize that they might be wrong. Closed-minded people always tell you what they know, even if they know hardly anything about the subject being discussed. They are typically made uncomfortable by being around those who know a lot more about a subject, unlike open-minded people who are thrilled by such company.
In general, I just try to make the people that I'm shooting feel like they are in good hands. I'm open-minded, and I invite them to be open-minded to the process. I'm direct and curious.
My experiences at Princeton have made me far more aware of my 'blackness' than ever before. I have found that at Princeton, no matter how liberal and open-minded some of my white professors and classmates try to be toward me, I sometimes feel like a visitor on campus; as if I really don't belong.
I would only listen to certain things, like a lot of teenagers do. But the Tragically Hip is a ribbon that's been with me pretty much my entire musical life. Every mix tape I ever made had at least one Hip song on it. Right from the outset I feel like Gord Downie built so much room into his songs. There was so much space in them that he created. He made me think of songwriting as full of boundless possibilities in a way that - well, that a lot of songwriters do, but that was the first time I thought a song could really contain multitudes.
I'm not much of a self-promoter or anything. It's not something I feel comfortable doing. But sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition. I don't write to put it in a drawer, I hope that people see it. But what am I willing to do for that? I struggle with that a little bit. I try to be accommodating, but I'm pretty much a loner. I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff very much.
Sex is no longer a serious taboo. Teenagers sometimes know more about it than adults.
Sometimes, I feel like I can do anything, and, sometimes, I'm so alive, sometimes, I feel like I could zoom across the sky and, sometimes, I wanna cry.
We would like you to reach the place where you're not willing to listen to people criticize one another... where you take no satisfaction from somebody being wrong... where it matters to you so much that you feel good, that you are only willing to think positive things about people... you are only willing to look for positive aspects; you are only willing to look for solutions, and you are not willing to beat the drum of all of the problems of the world.
When you write for children and young adults, you have much more affect and influence on them than when you write for adults. The books that get us through our childhood stay with us for life.
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