A Quote by Angus Deaton
You can certainly draw a picture of 2016 which makes it look like the 1930s, which, of course, is what everyone is doing.
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I got a random tattoo the other day. It's a red triangle, which makes everyone think I'm arty, which I'm not. I used to draw red triangles all the time. It must mean something - maybe I don't know it yet. But I'll figure it out.
Of course all novelists are egomaniacs and want to draw everyone to their fold just like any other preacher. The snake-oil peddler, the false prophet, all of this is fascinating to me. But I certainly hope that I'm more humane than that.
The world clings to its old mental picture of the stock market because it’s comforting; because it’s so hard to draw a picture of what has replaced it; and because the few people able to draw it for you have no interest in doing so.
We live in the public eye, so if one of us makes a mistake, it affects everyone, which makes me think about what I'm doing in life more.
When I started reaching teenage years, I listened to everything that was on the radio like everyone else did, which was Chuck Berry, Beach Boys and then of course The Beatles, Stones. And of course in the 60's, I was completely blown away like everyone else by Hendrix, Cream, Deep Purple, Jeff Beck and all of that... so those were my influences.
The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt.
I do not like bad photographs. I don't like to be badly lit. There is a fashion, particularly on stage, for very 'toppy' lighting, which makes a child look 50. Ten o'clock is very good. If someone is taking a picture, you say, 'Lamps at 10 o'clock,' then everybody looks lovely.
The problem of education in a democratic society is to do away with ... dualism and to construct a course of studies which makes thought a guide of free practice for all and which makes leisure a reward of accepting responsibility for service, rather than a state of exemption from it.
If there is a single factor which separates the best photographers from the wannabes it is the quantity of images which they produce. They seem to be forever shooting. I have watched many of them as they take picture after picture even when they are not photographing. [...] Often these intimate images do not look as though they were taken by the same photographer. And that is their fascination and charm.
In the course of the 1920s and 1930s, great progress was made in the study of the intermediary reactions by which sugar is anaerobically fermented to lactic acid or to ethanol and carbon dioxide.
This is the third time that, in the course of six years, during which I have had the lead of the Opposition in the House of Commons, I have stormed the Treasury Benches: twice, fruitlessly, the third time with a tin kettle to my tail which rendered the race hopeless. You cannot, therefore, be surprised, that I am a little wearied of these barren victories, which like Alma, Inkerman, and Balaclava, may be glorious but are certainly nothing more.
My own teenage style was modelled on Barbara Hulanicki's Biba look, which was based around smart 1930s chic. Roxy Music crystallised that look and made it high fashion. You felt that they were living the dream.
It's a presidential [election] year [2016], certainly everyone is talking about it, but if the history of the show tells us anything, the Big Brother cast does not usually discuss political issues like that in the house.
Good character is that quality which makes one dependable whether being watched or not, which makes one truthful when it is to one's advantage to be a little less than truthful, which makes one courageous when faced with great obstacles and which endows one with the firmness of' wise self-discipline.
They asked us to draw pictures of what we thought men and women look like naked and so I was like, "Get away, I'm doing my weird homework, drawing a naked man and woman." And I can't even draw. That's all I remember. I have no memory.
Is it possible that the environmental severity of the 1930s induced-particularly in the most aware, alert, and compassionate of [British] men-a morality which makes no sense today?
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