It's surreal working with people you admire. I don't think it ever goes away, no matter how human people are; there's always that moment of 'Oh wow, that's still George Clooney!' But I find that the most talented people tend to be the nicest.
I'm always looking for vacation. I'm always trying to step away from it to watch movies. I'm always trying to carve out free time for myself. But, I love it. I don't think I've ever not wanted to run a show. When I have a show, I'm always really excited. I always enjoy the process.
I always had hopes of being a big star. But as you get older, you aim a little lower. Everybody wants to make an impression, some mark upon the world. Then you think, you've made a mark on the world if you just get through it, and a few people remember your name. Then you've left a mark. You don't have to bend the whole world. I think it's better to just enjoy it. Pay your dues, and just enjoy it. If you shoot a arrow and it goes real high, hooray for you.
There's no point in making something if you're not falling in love with the people you're filming and you want them to really enjoy you being around. It would be weird if, when you're making a film, you don't think it's going to be the best ever or the worst ever - I guess it goes from one feeling to another.
I don't think nostalgia is very useful to me. There is a story to be told, there's behaviour to create or to bring to the screen that will help tell that story, and nostalgia is just not really a big part of my emotional package.
For many, many years, I was always whipping up things in order to keep myself busy and moving ever forward and saying, 'What's next? What's next? What's next?' I like the equanimity that comes with my age. I don't have big highs, and I don't have big lows. Even if this job goes away tomorrow, the nonstop ambition is a thing of the past for me. I've mellowed
Anyone who has ever been an ugly adolescent - and we are legion - knows that the feeling of being unlovely and unlovable never goes away; it is always there, lurking just beneath the surface.
I've always been and will always be very private about my personal life. If anything ever goes public, it is by default, because I happened to be in a place where I was being watched. But for the most part, I honestly don't care what people think. I never have. If I did, I'd probably present myself a little more carefully.
Oh, I believe that there is no away; that no love, no life, goes ever from us; it goes as He went, that it may come again, deeper and closer and surer, and be with us always, even to the end of the world.
The story about GE that hasn't been told is the value of an informal place. I think it's a big thought. I don't think people have ever figured out that being informal is a big deal.
You think a lot of people get to be big stars and get a little crazy, but most of the ones I've ever met have always been surprisingly normal, and I've enjoyed that.
Also I just think I've been lucky enough to have great parents, and I've had good people around me who have always been honest with me, who would give me a purely metaphorical slap if I ever got too big for my boots.
I don't think talent or the gift ever goes away.
I'm always surprised when anything about the band connects. But I love the fact that it's hard for people to understand. We've said before that it's always been a great thing to get certain people to go away thinking, 'Oh dear, she can't play the drums!' 'Fine, if you think it's all a gimmick, go away!' It weeds out people who wouldn't care anyway.
I believe nostalgia has many appearances and that it's not just the privilege of adults. I think children too can have nostalgia. It's one of mankind's most shared emotions. It's one of the things that makes us human. When you live, you lose things. It's a fact of life. So it's natural for everyone to have nostalgia.
I don't think nostalgia is a healthy modality. But nostalgia and a sense of history are not the same thing. Nostalgia is a dysfunction of the historical impulse, or a corruption of the historical impulse.