A Quote by Angus Deayton

I was away in France, as I was studying French and German, and a friend of mine bumped into a guy called Richard Curtis, who was producing the Oxford Revue that year. Two people had dropped out and he asked me to step in.
The irony is that we're really good at comedy in Britain, but for some reason, we make very few comedy films. And when we do, they're either quite American in style, or very Richard Curtis. And I like Richard Curtis, but I think only Richard Curtis should write Richard Curtis films, and other people should try and find their own style.
On 'Cardamom,' I had pretty much total control on all of the musical stuff, but I asked a friend of mine to take the picture for the cover, and I asked a friend of mine to draw the back.
The French need a thrashing. If the Prussians win, the centralization of state power will be useful for the centralization of the German working class. German predominance would also transfer the center of gravity of the workers' movement in Western Europe from France to Germany, and one has only to compare the movement in the two countries from 1866 until now to see that the German working class is superior to the French both theoretically and organizationally.
For my Oxford degree, I had to translate French and German philosophy (as it turned out, Descartes and Kant) at sight without a dictionary. That meant Germany for my first summer vacation, to learn the thorny language on my own.
I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.
It wouldn't have existed without France, and it's a French initiative. As a filmmaker, I owe everything to France - I got accepted at a French film school that takes six directors a year. Once you're in, you make films under the eye of people in the industry. You grow up in front of their eyes.
In late 2001, I contributed a short story called 'Castaways' to an anthology called 'In Laymon's Terms,' which was a tribute to Richard Laymon, who had passed away earlier that year.
Richard Curtis has an encyclopedic knowledge of ABBA, which defeats even mine.
Ben Karlin is a friend of mine and was a writer on 'The Daily Show.' He's just put out a book and asked a bunch of writers from various disciplines to contribute. It was called 'Things I've Learned from Women Who've Dumped Me,' and of course I agreed, and then I actually had to sit down and write it. God, writing fiction is terrifying.
I was shown around Ronnie's house by his father, who told his son about meeting me. Ronnie called the estate agent, a friend of mine, and asked me out via her.
A friend of mine has a son who became deaf through meningitis. He called me one spring and asked me to keep a week out of my schedule because he wanted to start a school for deaf kids. I wanted to help.
I consider myself a 'local' actor in France. I started out in France, I went to drama school in France and the French film community was very welcoming to me when I was a young actress.
When I was in the U.S. for 'Swimming Pool,' people had asked me, 'So are you going to settle down in Hollywood?' And I said, 'No, I'm French! I am living in France. I am not going to be American.'
You know, a friend of mine asked me before I got here... it was when we were all shipping out. He asked me, 'Why are you going to fight somebody else's war? What, do y'all think you're heroes?' I didn't know what to say at the time, but if he asked me again, I'd say no. I'd say there's no way in hell. Nobody asks to be a hero. It just sometimes turns out that way.
I get a lot of letters from French lady admirers - and gentlemen. 'Midsomer' is a huge hit in France, and it's all down to the guy dubbing me into French - a middle-aged balding fellow.
Aung San Suu Kyi's late husband, Michael Aris, was a good friend of mine at St Antony's, Oxford. The gentlest of gentle academics, he helped establish a centre in Tibetan studies at Oxford and converted to Buddhism.
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