A Quote by Angus Wilson

The roots of art and play lie very close together. — © Angus Wilson
The roots of art and play lie very close together.
At this point, I feel like I have roots in a lot of places. I have friends who have put down roots, in Seattle and San Francisco and Portland, and I feel very close to them.
Good and evil lie close together. Seek no artistic unity in character.
Country music... doesn't bend notes in the same way, so I suppose it's very English, really. Even though it's been very Americanized, it feels very close to me, to my roots, so to speak.
In the hearts of witches, love and hate lie close together and often tumble over each other.
OK, I'm with my close family but I'm here to play football. I can't lie. If it weren't for that, I would be back in Argentina.
Film and art are close together.
If you're neurotic and you think, I'm not where I deserve to be or my mother didn't love me, or blah, blah, blah, that lie, that neurotic vision, takes over your life and you're plagued by it 'til it's cleansed. In a play, at the end of the play, the lie is revealed. [T]he better the play is, the more surprising and inevitable the lie is, as Aristotle told us. Plays are about lies.
I feel sorry for anyone that I am obsessed with. I am worse than gum in your hair, very, very close to the roots.
I feel often very close to the ecstasy and anguish which lie at the very heart of poetry - I am writing a lot.
I've always thought that art is a lie, an interesting lie. And I'll sort of listen to the "lie" and try to imagine the world which makes that lie true...what that world must be like, and what would have to happen for us to get from this world to that one.
I say that in narrative paintings one should mingle direct contraries close by, because they produce strong contrasts with one another, and all the more so when they are very close together; that is, the ugly next to the beautiful, the big to the small, the old to the young, the strong to the weak; in this way you will vary as much as possible and close by.
There is a good deal of art that in some traditions of conceptual work are anti-affect, in fact a very large chunk of mainstream art after 1950 took against affect art altogether because they said, "No, we hate affect art because this is how we get manipulated by totalitarianism and therefore artists shouldn't play that game." And a lot of artists agreed to play that game, which I personally believe is to the loss of art.
What men call social virtues, good fellowship, is commonly but the virtue of pigs in a litter, which lie close together to keep each other warm.
The girls and women of our race must not be afraid to take hold of business endeavor and, by patient industry, close economy, determined effort and close application to business, wring success out of a number of business opportunities that lie at their very doors.
There is a new way with very very tiny fiber optics, which give an enormous high resolution. There are many many thousand fibers, very very close together with a very small diameter.
Einstein is notmerely an artist in his moments of leisure and play, as a great statesman may play golf or a great soldier grow orchids. He retains the same attitude in the whole of his work. He traces science to its roots in emotion, which is exactly where art is also rooted.
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