A Quote by Angus Young
In our hands, even the straightest lyric sounded shady.
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It's very rare - and it does happen on occasion - where I'll take a piece of lyric and I'll just sit down and purposefully craft that melody around that lyric because I think the lyric is the wellspring for the song, without question.
My poetry is not lyric. The epigrams are lyric because they come from my youthful period of lyricism, but my other poetry is not lyric.
Shady's great; I love Shady Records.
I think what we find fascinating and interesting is when people take our music and turn it into emotionally something else. And weirdly, Lorde's version of 'Everybody Wants to Rule the World,' the production really goes with the lyric more than our version does, because our version, albeit the lyric is dark, the music is quite uplifting.
I had this whole Slim Shady concept of being two different people, having two different sides of me. One of them I was trying to let go, and I looked at the mirror and smashed it. That was the whole intro of the Slim Shady EP. Slim Shady was coming to haunt me.
Change is not in the hands of government, not in the hands of a leader or guru, and not in the hands of the powerful or wealthy. It is in our hands: the hands of each and every one of us.
When I heard about the Microsoft Kinect, though, I felt an urgency rising in me. A game you played without touching any machinery? A chance to wave your hands around, Minority-Report style, and move things around on a screen? This sounded like almost too much fun, with gadget-y pizzazz that sounded astonishing.
I'm a real stickler for a great lyric, or what I think is a great lyric. It's almost impossible for me to sing a song I don't love. My thing is: If it's a great lyric, you can do anything with the song.
But I wanted the karaoke-style lyrics in our music videos for two reasons: first, cause nobody has lyric booklets anymore, and when I was growing up, lyric booklets were like little bibles. I want people to be able to access our lyrics without having to go to some gnarly website with banner ads.
I'd gotten to a point where I would write a lyric and then delete it because I was worried about how it sounded. Pretty much, I was a dreadful person and It was just a way of dealing with feeling kind of guilty about that.
I had the lyric 'Chip Don't Go' and a few words, and my wife came in and said that it sounded like a good song. I thought I'd finish writing it up and posting it to YouTube. I didn't realize it was going to take off like it did.
As a writer, I find it very satisfying when a lyric suddenly ties together more neatly than you expected it to. But for the listener, hearing a good lyric is not generally as exciting as hearing a great beat or a great riff or a great melody or even a distinctive singing voice for the first time.
I'm ashamed to say it, but I watch YouTube videos of our live shows, wondering if it actually sounded the way it sounded when I was playing it, and the consistent thing I see is that you can feel the anxiety and the tension and it's over-aggressive a lot of the time.
Isaac Smith sounded like Curtis Fuller, Corey Hogan sounded like Sonny Rollins, Terrace Martin sounded like Jackie McLean. Already, at 13, 14, 15 years old.
Pritkin muttered something that sounded fairly vicious. “My clothes are warded! Even if I wished to accede to your demand, it would not work on them.” “Then strip.” “I beg your pardon?” He sounded almost polite suddenly, as if he believed he couldn’t possibly have heard right.
Hank Williams seemed, like, so total to me, so committed to the lyric. He would actually rip the ends of the words off at the, you know - the end of the sentence. It sounded like he'd bite into the word and rip it off.
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