A Quote by Angus Young

When I was young, and I would see bands playing, I would dig the rock & roll and get excited, but when they would start to take the pace down, my attention span would start going.
We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.
If I did want to get a girl's attention, it would just be in some way where I would just start talking to her. It would have to feel organic. It's too weird otherwise.
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs.
Last tour my bass rig was breaking down every other night. That was a pain. We would get on stage and Trey would count off the song, and I'd play the first note and nothing would be there. Those guys would just roll their eyes.
Ah!" I cried, springing up. "But no! no! My uncle shall never know it. He would insist upon doing it too. He would want to know all about it. Ropes could not hold him, such a determined geologist as he is! He would start, he would, in spite of everything and everybody, and he would take me with him, and we should never get back. No, never! never!" My over-excitement was beyond all description.
I would never have thought I would see Axl Rose, someone who was so important to rock 'n' roll.
I've never written a fiction before about real people. . . . I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN].
Sometimes my boyfriend would write the lyrics and I would write the melody, and other times I would start from scratch. Or sometimes I would take a local poem and put that to music.
I used to juggle from one set to the next. I would start at 5 A. M. in the morning and would sometimes finish only at 5 A. M. the next day. I would then go home, take a bath and set out again. There would be no sleep at all.
I had a band when I was 14, and we would play around in my hometown of Middlesbrough, and we'd go to the club afterwards, which was the Purple Onion then. There would be live bands playing, and in between that, the DJ would be playing records.
I would get in fights a lot. My voice was so heavy, kids would say you sound like a boy, so I would start beating them up.
I remember what it felt like when I was young, and I looked up to someone, and they would pay me just an ounce of attention. And some of the bands I listened to when I was young probably never even sold any albums, but it didn't matter to me. If I'd go up and say, 'Great show,' it would be amazing that they even would acknowledge me.
[Young people] can't do much with [student debt] other than try to figure out how to pay it down. They can't take jobs they want. They can't get the credit they would like to start a business. So we're going to refinance it, we're going move people into income-contingent repayment plans, we're going to have a date certain when their obligations end, and I'm not going to let the government harass kids.
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especially Charles, that I didn't want to make the film. So would he call his mother and talk to Charles and see if Charles would at all be interested.
I used to go to the Church of the Harvest, right off Adams and La Brea. There was a pastor there who had the best big choir and the best band. He would start praying, and the music would start playing and just make people feel so good, you could break out of whatever you were going through. Soft music can have that effect, too.
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