A Quote by Angus Young

When we were younger and first starting out in Australia, we found that we sold more records by word of mouth because we were playing the bars, clubs, and small places and building a following. And as we got bigger, we still relied a lot on word of mouth.
Starting epidemics requires concentrating resources on a few key area. The Law of the Few says that Connectors, Mavens, and Salesman are responsible for starting word-of-mouth epidemics, which means that if you are interested in starting a word-of-mouth epidemic , your resources ought to be solely concentrated on these three groups. No one else matters.
Now, there is no business like show business, and there is no publicity like word of mouth. What is word of mouth, you may ask? Well, word of mouth is gold to Hollywood bigwigs, and it equates to box office bonanzas and hit TV shows.
The word liberty in the mouth of Mr. Webster sounds like the word love in the mouth of a courtesan.
The brand of the future...is patient, consistent, connected, and trusted. The new brand is based on the truth that only comes from experiencing the product, not just yelling about it. Word of mouth is more important (by a factor of 20) than TV advertising, and the remarkability word of mouth demands comes from what we experience, not from spin or taglines or a campaign slogan.
In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.
In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me, and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.
I can go into New York and sell out a theatre, but I didn't have to fight my way to get there: I was already a made man from television. I sold out a theatre in London without any TV exposure, just word of mouth and being a good comic, and that was a much bigger sense of accomplishment than just being a guy from telly.
If the lost word is lost, if the spent word is spent If the unheard, unspoken Word is unspoken, unheard; Still is the spoken word, the Word unheard, The Word without a word, the Word within The world and for the world; And the light shone in the darkness and Against the Word the unstilled world still whirled About the center of the silent Word. Oh my people, what have I done unto thee. Where shall the word be found, where shall the word Resound? Not here, there is not enough silence
I started growing my audience in small clubs through word-of-mouth. I started making music that isn't necessarily commercially viable, and it's not necessarily marketable to my peers to a certain extent.
Every word out of my mouth is a word that I've approved.
I appreciate the written word and spoken word more, but Atonement sort of established so much of me. It was a character that didn't really speak, and I found that a lot of the roles I was gravitating toward after that were kind of nonverbal.
'Battlefield' was one of those slow-building songs, the way 'Tattoo' was. It was kind of a word-of-mouth hit. The more people heard it, the more they started requesting it on the radio.
I want to touch with my mouth. His mouth, with my mouth. Maybe his neck, too. But first things first: Make him aware I exist. It’s possible that he is already aware, if only in a ‘don't step on the small girl’ kind of way.
The growth of The Body Shop is testimony to the fact that you don't need to waste money on costly advertising campaigns to be successful. Instead, we've always relied on word of mouth and stories.
The word itself creates an empty sensation. Try saying it now. "Why?" Notice how your tongue touches nothing when you form the word with your mouth. Feel the gap, the space inside your mouth, that it creates. The air. It is a place that needs filling. It is missing an answer.
I played Thersites and I remember we were also doing some places out of town before starting our run at The Old Vic in London and we were at the Yvonne Arnaud Theatre in Guildford and I walked on stage and I've got an opening speech that begins: "Agamemnon, how if he had boils?" And I went on and said: "Agamemnon..." And a woman in the front row just went 'tut'. I thought: "I've only done four syllables, give us a chance!" I got one word out and the audience were already tutting. It was worse than any heckle I ever had doing comedy. So, I'll stick to gnomes.
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