A Quote by Angus Young
The media, being what it is, is always looking for the next new thing. There are still bands out there playing, no matter what the new thing is. The Stones go out there, and people go see them without records or even airplay.
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The great thing about New York is that you don't have to set out to do anything. Whenever I go without the kids, I walk all day and see the most interesting stuff. There's always some kind of drama playing out.
I get a chance to see new bands and new music. I've seen a lot of amazing local bands, bands that I think 'have what it takes', that they could become the next big thing. More often than not it doesn't happen.
I suppose each project is a new thing, so there's all this excitement and nerves about this new thing. Every single thing is like a new thing, so it's never what I expect. I don't know what to expect for the next thing. There are always different people. It's interesting.
People are out there looking for jobs and realizing that they have to look within to do and create what the new and next thing will be. They can't rely anymore on what was usually given to them.
My job is to have new ideas and take risks every day, so I'm always looking forward to the next thing being done or making the next thing that I haven't yet gotten to. That's sort of the constant in my life.
Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?
I think it's the next thing, getting out of the comfort-zone readership, that at some point you have to try and break out of that and see if you can go in new directions. I wanted to do something that felt a lot bigger than a book that's going to sit on a toilet.
When I moved to New York City to go college, my mother said, 'If you want to be recognized, you need to go out to a club.' Because we didn't have computers. We didn't have social media. We didn't even have cellphones. So you had to go out to be recognized.
I really like Howler and an American band on Sub Pop called Jaill. There will always be new bands that I like, it's always been that way. I still go out to shows. One thing I don't like now is this idea that all singing needs to be expressed at maximum volume with so much bullshit sentimentality - it's pervading regular pop music.
London has become really boring. I mean, years ago, London was really happening - there was swinging London and then punk. It was really different from other cities, and so I'd always wanted to go there and see what was actually going on. After that, hip-hop was the next thing happening, so to get the records or the proper clothing, you really had to actually go to New York. But now you don't really need to go.
I was born in Honduras, that's where I was born. I live in California, where no matter what you say, you're Mexican. You understand that? It doesn't matter what you say. See - you don't understand that, white people, because wherever you go, you're white. You're here, you're white. You go to L. A., you're white. You go to Denver, you're white. You go to Miami, you're still white. In L. A. I'm a Mexican, In Florida, I'm a Cuban. In New York, I'm a Puerto Rican. And when I come to Canada and I find out I'm an Eskimo.
There's this thing that publishes pictures of people out and about. So when I go out, I do see pictures of myself. I don't know where those pictures come from - I mean, I don't see the cameras. But I guess I'm just not looking for them.
I'm in the film industry, and I very seldom go to the theater now. It could be work, not being in New York, that sort thing - because in New York, you do go to theaters; you can walk to a theater and then walk to a restaurant. But in places you have to drive out to the cineplex to see a movie, it's starting not to be worth it anymore. It's like the days when you went to get a book at the public library. You don't have to do that anymore. You just go on your iPad and all of a sudden you're reading The Duchess of Malfi.
I think the most important thing about playing is to walk out with confidence, look the people right in the eye and say 'Here I am,' and go and do your thing. As soon as they know you're confident, they're confident. As long as you adjust to them you're not in trouble. You should eyeball them, find out what they want, and give it to them. They didn't pay to come out and look at the tapestries.
I don't want to have to put on that "thing" - I call it "the thing" when I have to do my hair, put on the lashes, get dressed up. When I go out for potato chips, I just want to go out looking like myself, which means you will see bad pictures of me. There probably are some out there right now, but it's just part of the life.
I've been fortunate enough to always have plenty of work, offers to go out and play shows. The hardest thing I have to do is pick out which one I want. For some reason, there's a great demand out there, whether I've got a new record out or not.
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