A Quote by Angus Young

The best AC/DC cover I've heard? There was an all-girl cover band in America, the Hell's Belles. — © Angus Young
The best AC/DC cover I've heard? There was an all-girl cover band in America, the Hell's Belles.
AC/DC's 'Highway to Hell' is the greatest meshing of vocal, guitar, and content I've ever heard. That's what I aspire to.
Imagine a music business where all the music press talked about, all day long, was cover bands of old rock and pop groups. Beatles cover bands, Rolling Stones cover bands, The Who cover bands, Led Zeppelin cover bands. Cover bands, cover bands, everywhere you go.
When I started out as a cover band, I was obsessed with Keith Urban and Jason Aldean and Eric Church; those are the songs I chose to sing as a cover band.
Every good band in the world was a cover band first. The Beatles were and the Stones were. Everybody was a cover band.
My job is to cover the hell out of the story, very aggressively. The real place to be courageous if you're a news organization is where you put your people to cover the story. It's making sure that you have people going to Baghdad. It's making sure that you figure out how to cover the war in Afghanistan. While the journalist in me completely stands with them, the editor of the New York Times in me thinks my job is to figure out what the hell happened and cover the hell out of it, and that's more important than some symbolic drawing on the front page.
When I heard the Pixies for the first time, I connected with that band so heavily I should have been in that band - or at least in a Pixies cover band.
I read this book when I was young. It's about a black girl growing up in Heaven, Ohio. The cover has a black girl with clouds behind her. It was the first book cover I ever saw with a girl that looked like me.
I am not saying I never hope of ever playing with AC/DC again but, then again, is it even AC/DC any more? No Bon's beautiful voice. No Malcolm. No Brian.
To me as a fan, as a die-hard AC/DC fan, Brian Johnson is the reason I discovered AC/DC.
I told my mom, 'I'm not buying another magazine until I can get past this thought of looking like the girl on the cover'. She said, "Miley, you are the girl on the cover,' and I was, like, 'I know, but I don't feel like that girl every day.' You can't always feel perfect.
AC/DC is a tough gig for everyone in the band.
It doesn't matter how good the enemy's weapons are. If he can't see you, he can't hit you. Cover, cover, cover. Make sure you're never exposed.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
We always try to get new songs. That's what AC/DC has always been about. You can listen to what we do, and you can go, 'Well, it's AC/DC, but it's a new song.' So that's what we've always tried to achieve. So we've always got that style.
Red House Painters were doing cover songs before our first record deal. I remember live shows where we did an AC/DC song; I think we did 'Send In The Clowns' by Judy Collins. We did 'The Star Spangled Banner,' which came out on our third record.
Being on the cover of a magazine with my son is the best thing ever. It took me 18 years to get my first cover, he gets one at 8 months.
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