A Quote by Anh Do

I cranked out a book. I didn't expect it to do much, but it's sold 80,000 copies. — © Anh Do
I cranked out a book. I didn't expect it to do much, but it's sold 80,000 copies.

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We sold 1.5 million copies of the 'Abracadabra' album and 26,000 copies of 'Italian X-Rays.'
It's a blessing and a curse when your first big public album does so well. 'Twentysomething' sold four million copies - I think we were hoping to sell 80,000. And it's still selling. In some ways, you'll always be defined by that.
I sometimes think 'Gordon' must be the most bootlegged album in U.S history, since it sold only 200,000 copies in the country, yet 800,000 kids know the words to every song.
My best country record only sold 200,000 copies.
You know, if a band on a label sold a few hundred thousand copies of their record these days, they wouldn't make any money. But if a band can pump out 10 million copies of a record for free, and 50,000 of those fans come to the band's website to watch pay-per-view videos or buy a t-shirt, that's roughly $10 million in revenue per year.
The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band
Hollywood loves pre-validation. Even if someone has a property that was first published as a comic book that sold only 5,000 copies, for Hollywood, that is a stamp of approval. 'Oh, it was already published in another medium? Must be good!' They get assurance from knowing that someone else already took the risk.
Of course, a lot of businesses want to reach students, so I funded the magazine by selling advertising. I sold something like $8,000 worth of advertising for the first edition, and that was in 1966. I printed up 50,000 copies, and I didn't even have to charge for them on the newsstand because my costs were already covered.
I've met a lot of artists who wanted to paint me. LeRoy Neiman was one. He did it from a photograph. He made 20,000 copies, and we sold them all.
I'm really glad we came up when we did. When we got started, the record companies were concerned with building careers. They made sure you could put on a live show before you put a record out. And if your first album sold 100,000 to 200,000 copies, they were happy, because they figured you had your foot in the door on a way to a long career.
My best country record only sold 200,000 copies. I didn't have enough money for the band and the arrangements and the costumes and all. I had to move into wider fields.
I love the Hunger Games books. Certainly, the fans are there. They're grown enormously since the beginning. When I first brought the books to Lionsgate, they had sold about 150,000 copies, which is a very good result for a YA book. And to their credit, Lionsgate was very excited and committed to the movie, from the beginning.
This comes from Mike Gonzalez at the Daily Signal: [ Howard] Zinn's history "set the stage for the grievance mongering that passes for history classes today, and is still widely used. It has sold over 2 million copies since it was first published in 1980 and continues to sell over 100,000 copies a year because it is required reading at many of our high schools and colleges. That's a lot of young minds."
We always thought if 'Beauty and the Beat' sold even 100,000 copies, we'd be real happy and a successful group, so when it reached a million... Hey, we just laughed about it.
To have a No. 1 with 130,000 copies sold is, you know, I remember when we first started selling records, in order to have a No. 1, you'd have to sell at least a half a million if not more, for the rock side of things.
Well, at the end of our movie Fireproof, we released a book that my brother Stephen and I wrote called The Love Dare. It was for couples. That book had a much larger impact than we expected. As a matter of fact, if I could use the term "overwhelmed," we were. The book went on to become a New York Times bestseller and sold over five-million copies and is now in 28 different countries and languages. So, we were blessed and just surprised at how well that did.
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