A Quote by Ani DiFranco

I have something to prove, as long as I know there's something that needs improvement, and you know that everytime I move, I make a woman's movement. — © Ani DiFranco
I have something to prove, as long as I know there's something that needs improvement, and you know that everytime I move, I make a woman's movement.
A man needs a much bigger orbit than a woman. He needs a mission, a life purpose, and he needs to know his name. Only then is he fit for a woman, for only then does he have something to invite her into.
I’d learned a long time ago that you can’t prove a negative. You can prove that you did something, but it’s the devil to prove you didn’t do something.
I think it's one of the nicest privileges as an actor is to know that you can move people in one moment, make them think about their lives, or make them laugh or make them cry or make them understand something. Or just make them feel something because I think so many of us, including myself, spend too much time not feeling enough, you know?
I had forgotten what it was like, to be drawn to a person...I'd forgotten how your blood flows toward a person when they move, so that all at once you know what the pull of gravity feels like. and you know that this is something strong and important, something that you need for life, this woman moving through the room.
When you mentioned something about self improvement, the implication is that the negro is something distinct or different, and, therefore, needs to learn how to improve himself. Negro leaders resent this being said, not because they don't know that it's true, but they're thinking, they're looking at it personally. They think that the implication is directed even at them, and that they, and they duck this responsibility.
Honestly, as an athlete, you generally know. Your body talks to you. You know the difference between something that's hurting, sore vs. something that's going to hurt you in the long run if you try to go really push off or something.
You dont know what you do, everytime you walk into the room-- I'm afraid to move.
A song, you know, you've got a tempo. You know,you've got something that is moving swiftly. You can't stop it, you know? Andit's designed to move swiftly from, you know, mouth to mouth, heart to heart,where a poem really speaks to something that has no time and that is - it's acompletely different perception.
The ego encourages you to constantly prove yourself and what you already know. When you are in the presence of someone you feel the need to impress, the ego's automatic response is 'I know.' The moment you say 'I know,' you are demonstrating that you don't know. You can learn something valuable from everyone, in every situation.
It's hard to program a computer to make jokes. The brain needs to do something here; the brain needs to come up with something bizarre to make something funny.
I know there are kids out there, I want to make sure they all know that driving without braking is not something I recommend, unless you have professional clown training or a comedy background, as I do. It is not something I plan to make a habit.
We are literally like sisters: you know their ins and outs; you know if something is on their mind, that something's bugging them. We know when something is going wrong, and that instinct you can feel instantly.
To hold and know the power of a woman is something so amazing that I don't think a woman could ever understand because they cannot know life without it.
I know something about the civilization of China, with my background, obviously, and I think I know something about American history. But that's about all. And I've traveled all over the world, and for a long time I didn't know very much about it, really.
Something must always remain that eludes us ... For power to have an object on which it can be exercised, a space in which to stretch out its arms ... As long as I know there exists in the world someone who does tricks only for the love of the trick, as long as I know there is a woman who loves reading for reading's sake, I can convince myself that the world continues ... And every evening I, too, abandon myself to reading, like that distant unknown woman.
A man writes because he is tormented, because he doubts. He needs to constantly prove to himself and the others that he’s worth something. And if I know for sure that I’m a genius? Why write then? What the hell for?
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