A Quote by Ani DiFranco

I've been collecting some more high-end guitars. I have an old Martin D28 from the '60s, a beautiful, classic Martin that I know I played on 'Mariachi.' — © Ani DiFranco
I've been collecting some more high-end guitars. I have an old Martin D28 from the '60s, a beautiful, classic Martin that I know I played on 'Mariachi.'
Martin guitars have now brought out, you know, on a more traditional level, the Stephen Stills' model of Martin guitars. It's beautiful. I just went inside. I bought one immediately.
My life has never been defined as Roland Martin, CNN; Roland Martin, TVOne; or Roland Martin, 'Tom Joyner Morning Show.' I'm appreciative of all of those platforms, but I've done all different things. I'm still Roland Martin.
Invariably, when people read the headline about Martin Shkreli, they hate Martin Shkreli. When they get to know Martin Shkreli, they love Martin Shkreli.
When I played Dean Martin, he was dead when we made the movie but there would have been nothing better than to spend a week with Dean Martin if I could have.
I'm playing a D-28 Martin that I've had about 20 years or so. I've got a '51 Martin and I thought I shouldn't be taking this on the road. So I went down to Gruhn Guitars in Nashville and kind of traded around and ended up with this one. This guitar sounded pretty good as new guitar.
51 Martin [guitar] sounded pretty good as new guitar. Martin has several levels of guitars now, and this one is pretty good.
It was great. I got to hang out with him [Martin Freeman as Bilbo Baggins], and I kept a straight face for a bit and then I started giggling because I know Martin, I don't know Bilbo. For Martin to be sitting there playing Bilbo is amazing. He's going to be amazing, he's going to be fantastic in this film.
We didn't know anything about comedy duos - Abbot and Costello, Martin and Lewis - we didn't know anything about that. Kim Fields showed us a tape of Martin and Lewis and their old shows and they come through the curtain so we started doing research on them.
[Dean Martin] is an absolute, unqualified drunk. And if we ever develop an Olympic drinking team, he's gonna be the coach... Dean Martin has been stoned more often than the United States embassies.
I have an electric Fender and a Telecaster. I have a Taylor and a Martin. I want to get more guitars for more sounds.
I always say I'm not going to care this time, but I always do. Like, I did one this season called Tax Man with Martin Short, which was like, "Are you kidding me? Doing a pilot with Martin Short? Like, career high." And I just assumed, because it's Martin Short, like, "How are they not going to pick that up?" But they didn't.
We like to think of the '60s as Martin Luther King, Jr. and Malcolm X and a little bit of friction - no, there were all of these different groups. There was the Student Nonviolent Coordinating Committee (SNCC), the Black Panthers, Martin and Malcolm, but also the Whitney Youngs of the world, the Bayard Rustins of the world.
I would be Jesse Martin ..., but not to be his character, just so I could be Jesse Martin and sing like Jesse Martin for a day.
We've been given this great gift, this huge canvas of these beautiful books by George Martin, and the idea of telling this whole epic through to the end is incredibly compelling.
Aaron Sorkin whole thing was that he didn't want the pomposity of the presidency in the West Wing. But once we cast Martin Sheen and we realised Martin's incredible accessibility, nothing felt pompous or aloof. If the show is about all the planets, let's end it with the sun.
Everyone was at Martin Freeman’s house, and Martin was there and his wife was sat at his feet and Amanda [Abbington, Freeman’s wife] was crying and so was I and I tried to laugh it off but that turned into this enormous sob in front of everyone and I just thought, oh brilliant. I just found it terribly moving. Martin is just amazing in that last bit, it’s beautiful, that kind of incomprehension and devastation, it’s fantastic, with his sort of military shuffle at the grave. Fantastic.
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