A Quote by Ani DiFranco
There's a crowd of people harbored in each person There are so many roles that we play.
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People always ask me, 'Why so many historical dramas?' Because those are the best roles I get to play, and I get to play heroes in those roles.
If I only get to play Malaysian roles, there wouldn't be very many roles for me to play.
In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.
Because of my age, the roles that I'm in doesn't have as much depth as I would like, but that will change. Halle Berry, Angelina Jolie, they play heavy, meaty roles, which are the sort that I want to play...because of what I look like, I play with my looks, which is cool, but I've done it so many times. But one day I would love to play against my looks.
I so find Harold Pinter and David Mamet's writing to be exciting, and obviously there aren't that many female - at least with Mamet, there aren't that many good female roles. But I always thought it would be interesting to play one of the guy roles.
I do think that it's important to understand what each person has coming into the relationship, and what each person expects from the relationship. I find it so interesting that so many people rush into the commitment of marriage, which is a legal contract, without knowing anything about what the expectations of the other person are, and they've not explained or articulated their expectations of the other person.
I'm an outdoorsman kind of person, so I don't like the buzz of the crowd, crowd, crowd and all that so much. I mean I don't mind it, but I don't seek it out.
Of course men play roles, but women play roles too, blanker ones. They have, in the play of life, fewer good lines.
After many of years of getting cast in sweet, angelic roles, I'm finally getting to play closer to my real life as a horrible person.
Being an older person now, I'm finding that people are calling me to play various things. Variations on the theme of mother, caretaker, and in some cases, doctors, heads of organizations and things like that. For some people, I'm finally old enough to play those roles. We see men playing them when they're a little bit younger, and also in roles that call for some form of conflict and violence, either generating it or trying to curtail it. Women don't seem to be a big part of those common and often used movie themes.
For a split second they stared at each other. A fleeting, lasting moment. One person noticing another person out of a whole crowd of strangers.
After 'Dor,' viewers showed the confidence that I could play serious roles too and so I was offered roles in films like 'Eight By Ten' and 'Wanted' and many other big movies.
I play knowing that there is somebody watching me out there in the crowd that has never had the opportunity to watch a game before and it might be the only chance they ever to see one, live in person. Michael Jordan once said that in an interview, and I really took it to heart; whenever I step on the floor, I play for that person.
I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.
I enjoy that atmosphere, because you play golf all the time but you don't get to play in front of this many people and feel the energy of the crowd.You hit a bad shot, they boo; you hit a good shot, they cheer you. It's awesome. So I love it.
A play is not a play until it's performed, and unless it's a one-person play that is acted, directed and designed by the author, many other people will be deeply involved in the complicated process that leads to its performance.
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