A Quote by Ani DiFranco

Those who call the shots are never in the line of fire. — © Ani DiFranco
Those who call the shots are never in the line of fire.
If your cat's up a tree, you call the fire department. If someone's hurt, you call the fire department. If there's a mudslide or your house is on fire, you call the fire department. They're our first line of defense.
I'm very proud to be part of a cast that's gonna put Hot Shots on screen for the first time, Hot Shots are the first line of defense against wildland fire and these guys are so selfless, they are guys that do what they do without wanting any kind of attention for it.
Making the tough shots and leaning in a certain way and a fadeaway and stuff like that, those are tough shots, but those are shots you have to learn to make in this league.
I have never seen anybody, and I don't think there has ever been anybody like Nick Diaz in all of MMA. Can you tell me another guy who is going to stand right in front of you, take big shots, and still keep coming at you with those body shots and those amazing combinations?
New rule: If churches don't have to pay taxes, they also can't call the fire department when they catch fire. Sorry reverend, that's one of those services that goes along with paying in. I'll use the fire department I pay for. You can pray for rain.
If you have to tell someone they call the shots, they're not really calling the shots.
You want to take shots you practice thousands and thousands of times. You want to take those same shots in games. The easier you can find those shots, the better.
The big dividing line is not and has never been between those who advocate more or less militant forms of resistance, or between mainstream and grassroots activists. The dividing line is between those who do something and those who do nothing.
Nature is the line; those who are under it, we call them as man; above it, we call them as God!
Those are the rules. To improvise in a movie with other people, when they're following a script, everybody has to know what's going on. I think a line or two we might change. Certainly, I do. But I wouldn't call it improvising. I'd call it fudging the lines.
I'm not a guy that's going to shoot 10 3s a game - I like to get to the basket. But some of those shots I do gotta take. Some of those shots I gotta let fly.
I only believe in fire. Life. Fire. Being myself on fire I set others on fire. Never death. Fire and life.
When you're playing spot minutes, it's harder to hit those shots. But if you're getting volume shots, now it's a lot easier to get a rhythm.
Jesus won't cut you off before you're through With him you won't never get a crossed line, And when your bill comes it'll all be properly itemised He's the telephone repairman on the switchboard of my life. The phone line to the saviour's always free of interference He's in at any hour, day or night And when you call J-E-S-U-S you always call toll-free He's the telephone repairman on the switchboard of my life.
I came to set fire to the earth. And I am watchful that the fire grow. May the fire of love grow in our hearts. May the fire of transformation glow in our movements. May the fire of purification burn away our sins. May the fire of justice guide our steps. May the fire of wisdom illuminate our paths. May the fire that spreads over the Earth never be extinguished.
An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots.
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