A Quote by Anika Noni Rose

The seventies was a time when a lot of people didn't tell their children they were adopted. — © Anika Noni Rose
The seventies was a time when a lot of people didn't tell their children they were adopted.
As children in the seventies we were told about nebulous 'strangers'. By definition, we didn't know who these strangers were, and we didn't know what they wanted to do, but only that they were sinister. I think that was the stage the seventies were at.
The seventies were my fattest decade. Overall I think the seventies were distinctly bulbous. People looked chunky, typefaces were rounded, writing implements penile.
I go to Malawi twice a year. It's where two of my children were adopted from, and I have a lot of projects there that I go and check up on and children who I look after. It's sort of a commitment that I've made to this country and the hundreds of thousands of children there who have been orphaned by AIDS.
Both of our children are adopted, and my wife and I didn't go out of ways to find kids that looked like us. We were just happy to have some kids. And people tell me all the time that they look like us, and that's because they learn to smile and laugh and move their head a certain way from studying their parents' faces.
There's a lot of people in my family who've adopted children.
We already had an adopted daughter, 10-year-old Courtney, from my previous marriage. To me, there is no difference between 'natural' and 'adopted.' My own childhood showed me that when it comes to loving your kids, concepts like that don't apply. I was the oldest of six, and three of my siblings were adopted. Mom and Dad even took in foster children. 'There are no limits to how much you can love,' Dad always said.
I think most children who are adopted ultimately want to meet their biological parents and often do. I think that is an important journey for children who are adopted to go on.
I was adopted. I was born in Edinburgh, and adopted when I was about two weeks old. And it's a good thing, I think, really, that back then, in '75 when I was born, you were really given a lot more information than you're given now when you're adopted. And you know, you can access that information when you're older.
I cannot see him. I cannot have a relationship with my father and be morally consistent... I lived with all these adopted children, so they are my family. To say Soon-Yi was not my sister is an insult to all adopted children.
A lot of the time the experts, the people who are supposed to be able to tell you what to do, will tell you that you can't do something even when you know you can. And a lot of the time it's your friends ... who tell you you can do it.
The Seventies seemed like this really open time. There were a lot of strong women characters deciding what kind of artists they wanted to be.
When people say, Your music was the music of the Seventies, I say, So was discoteque. The Seventies was also the highest peak of heavy metal. Pick a genre - they were all alive.
When people say, 'Your music was the music of the Seventies,' I say, 'So was discoteque.' The Seventies was also the highest peak of heavy metal. Pick a genre - they were all alive.
Every time I meet the CEO of a record label I tell them how they did it in the seventies because they want to know. I tell them, "Sign a hundred people! Throw it against the wall and see which ones stick!" And they frown and say, "Oh, we can't do that!" and they start mumbling about demographics and this and that.
I did more sessions than I remember doing. There were a lot of things in the Seventies that I played on that people keep reminding me about.
You have a lot of children that come up to you... and their parents tell you, and sometimes even [the children themselves] tell you how much they love singing your nasheeds. It is a great source of satisfaction that even now you can make a difference in the lives of people.
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