A Quote by Anil Kumble
I played a lot under John Wright, he's been a great influence on how I'll go about the job, in terms of being in the background. When I became a mentor for Mumbai Indians, I brought John in because he understood a lot about Indian culture and then the way coaches work.
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I've said this about many people, but when you were recruiting against John Beilein you knew it was a fair fight, a real fight and he was going to do it the right way. I have a lot of respect for John. He's a heck of a coach and he will do a great job in Cleveland.
There aren't a lot of alternative roles for Indian actors. I think we've fallen short of portraying Indians in the media. We don't need to make another Dances With Wolves, because it's not an Indian movie. When Indians portray themselves, then we have a different perspective. I've been asked about making period pieces but I've never read one that wasn't about guilt, and I'm not trying to make a guilt film.
I've been reading a lot lately about Indian captives. One woman who had been captured by the Indians and made a squaw was resentful when she was rescued because she'd found that there was a lot more work to do as the wife of a white man.
Well I've made no secret of my life long love of MAD Magazine, it's probably my first and greatest influence in terms of my comic sensibilities. I've known John [Ficarra] for many years, and we've been friends. About four or five months ago, at a dinner in New York, John made the very nice offer of my being guest editor for an issue of MAD and I thought about it for about half a nanosecond and decided that was a pretty good idea.
A lot of people say now, 'John Cena doesn't work.' Well, John Cena does the things that people go to see John Cena do, and he doesn't take a lot of risks.
When I think about him, I think about him as John and John Wick. I think of John Wick being the assassin part of John. I would say that guy has strong will; never gives up; he's kind; and there's honor about him. He's also a man of strength. There are even some vulnerabilities to him. Most importantly, he's good at his job.
We need to give out portrayal of ourselves. Every non-Indian writer writes about 1860 to 1890 pretty much, and there is no non-Indian writer that can write movies about contemporary Indians. Only Indians can. Indians are usually romanticized. Non-Indians are totally irrepsonsible with the appropriation of Indians, because any time tou have an Indian in a movie, it's political. They're not used as people, they're used as points.
So it became in my mind a nine-carol service; an oratorio and orchestral concert all in one, but with narration. That's something I've learned about, because it's the story that keeps you in there. I wrote a libretto and I gave it to John Du Prez. We normally don't work in this fashion but I said off you go, and he went off for about three months. He brought me back this demo which blew my mind.
I feel like a lot of Indian fans don't know about my Indian background, so it's funny online that a lot of fans call me this Pakistani dude. No, I'm Indian, too.
When I brought 'El Topo' to New York, no one understood the picture. But John Lennon understood. John and Yoko Ono, they presented 'El Topo' in the United States; they introduced it.
The book is actually called 'A Mentor Leader, a Different Way to Lead.' It really talks about my experience in the way I tried lead our football team, things that I learned from, basically, the coaches that I played for and my parents about leadership. And it is a little bit different, counter to maybe what society says about great leaders.
Most of what I learned about baseball came from great coaches, beginning with my father, then Bob [Buchelle], when I`d made it into the seated row of Little League in [Dorchester], then Dan Burke, [John Balfe], the great Henry Lane.
I never intended to become a professional pilot. But, as I became more curious about aircraft, and, well, not being John Travolta, I realized that the only way I was ever going to fly a jet is if I got a job.
I'm very fortunate to work with a great group of guys that are great coaches, great motivators, excited about what they do, have a lot of enthusiasm and are excellent coaches.
In terms of Iran and in terms of Saudi Arabia, of course they hate each other. That's no great secret. But John Kerry, who is I think doing a very good job, has tried to at least get these people in the room together because both of them are being threatened by ISIS.
I'm passionate about coaching and being able to mentor young men in a lot of different ways. I think it's good to be able to do what you love to do. It's been in me since the beginning. I was telling my college coach what to do and he trusted me. When I got into the NBA, I started having conversations with coaches. Coach Gregg Popp(avich) brought a lot out in me. Coach Don Nelson gave me an incredible opportunity to spend some time with him and he molded me but at the same time allowed me to be myself.
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