A Quote by Anirudh Ravichander

I can never recreate the magic that 'Indian' did in the '90s. — © Anirudh Ravichander
I can never recreate the magic that 'Indian' did in the '90s.
We all know that one can never recreate the magic of an original film.
Be proud that thou art an Indian, and proudly proclaim, "I am an Indian, every Indian is my brother." Say, "The ignorant Indian, the poor and destitute Indian, the Brahmin Indian, the Pariah Indian, is my brother."
I don't think one can recreate the magic of old films.
Usually, when you do a period movie, you just recreate what you are shooting. You don't recreate the way you shoot it. I think I did the same thing here as I did in the OSS 117 movies. I recreated the way to shoot that period, because to me, like what I was saying about the Steadicam, there's no sense to do a Steadicam shot in the 1920s because you have never seen the '20s like that. You can't believe there was a Steadicam in the 1920s. I believe it's a continuation of the OSS 117 in a way but without the irony.
God is alive. Magic is afoot. God is alive. Magic is afoot. God is afoot. Magic is alive. Alive is afoot. Magic never died. God never sickened. Many poor men lied. Many sick men lied. Magic never weakened. Magic never hid. Magic always ruled. God is afoot. God was ruler though his funeral lengthened. Though his mourners thickened Magic never fled.
You don't want to disappoint, or feel like you're trying to recreate the magic of something.
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
When I first came to Harvard, I thought to myself, 'What kind of an Indian am I?' because I did not grow up on a reservation. But being an Indian is a combination of things. It's your blood. It's your spirituality. And it's fighting for the Indian people.
I had an Indian face, but I never saw it as Indian, in part because in America the Indian was dead. The Indian had been killed in cowboy movies, or was playing bingo in Oklahoma. Also, in my middle-class Mexican family indio was a bad word, one my parents shy away from to this day. That's one of the reasons, of course, why I always insist, in my bratty way, on saying, Soy indio! - "I am an Indian!"
I think that I altered history in 'Elizabeth,' and I interpreted history far more than Danny Boyle or Richard Attenborough did to 'Slumdog Millionaire' or 'Gandhi.' They took Indian novels or Indian characters and very much stayed within the Indian diaspora.
Me and Penny are going to be the Kareem and Magic of the '90s.
I grew up in the '90s. My goal isn't to be a '90s rapper, but I have little hints of '90s influence in my music. It's a modern approach to classic rap.
We passionately set up a programme that we call the Indian gun programme. I challenged Colonel Bhatia, who heads our defence business, that let's build an Indian gun. There's a belief that Indian companies aren't capable of this, and we want to prove them wrong, as we did in components.
Perfume is magic. It's mystery. We recreate the smell of a flower. Of wood. Of grass. We capture the essence of life. Liquefy it. We store memories. We make dreams.
Mark my words, 'Aashiqui' will be a tough act to follow. It will be very difficult to recreate that magic.
And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!
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