A Quote by Anish Kapoor

Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away. — © Anish Kapoor
Content arises out of certain considerations about form, material, context-and that when that subject matter is sufficiently far away.
The abstract expressionists had that thing of, subject matter becomes content, content becomes form. And I always thought there was no room for style. I felt with my painting, the style really is the content. The style holds everything together.
I'd never painted anything before. I was quite content to take other people's work since I didn't care anyway about the subject matter. I approached subject matter as a scoundrel. I had nothing to say about it whatsoever. I only wanted to make these exciting paintings.
Dream Theater music, there's a lot of background and context to the songs, as far as the subject matter and the albums they come from.
About forty miles away from Paris, I began to see the old trench flares they were sending up at Le Bourget. I knew then I had made it, and as I approached the field with all its lights, it was a simple matter to circle once and then pick a spot sufficiently far away from the crowd to land O.K.
I understand all the work to be of a nonabstract nature regardless of the style, form, or explicit subject matter because all the work... is concerned with evoking experiences that are in themselves - and their relationship to you, the viewer - the ultimate subject and content of the work. I want to equate the experience of the work with its meaning.
The documentary photographer aims his camera at the real world to record truthfulness. At the same time, he must strive for form, to devise effective ways of organizing and using the material. For content and form are interrelated. The problems presented by content and form must be so developed that the result is fundimentally [sic] true to the realities of life as we know it. The chief problem is to find a form that adequately represents the reality.
In terms of content, you can make a problem for yourself, I mean, make the contest difficult, let's say, with certain subject matter that is inherently dramatic.
The joy of YouTube is that you can create content about anything you feel passionate about, however silly the subject matter.
A Dark Night is a mental and emotional state of despair that arises when something is so painful that it blots out all other considerations and makes carrying on as usual out of the question.
Such crazy things happen on daytime TV; if you were to take a specific scene out of context, it can sound so far-fetched that you start laughing at the material... and that can take you out of watching the performance.
No science of any kind can be divorced from ethical considerations... Science is a human learning process which arises in certain subcultures in human society and not in others, and a subculture as we seen is a group of people defined by acceptance of certain common values, that is, an ethic which permits extensive communication between them.
I always try to convince people that there has to be a lot of material about the subject matter, so they created a couple of pieces. One is about doomsday prophecies.
Outside of mathematics and logic, there are common sense truths, such as that it is snowing that normal observers, in a specified context can agree on, subject to vagueness considerations, and theoretical truths, such as that snow is crystallised water vapour, and maybe in-between truths.
To bracket form and finality out of one's investigations as far as reason allows is a matter of method, but to deny their reality altogether is a matter of metaphysics.
Take away material prosperity; take away emotional highs; take away miracles and healing; take away fellowship with other believers; take away church; take away all opportunity for service; take away assurance of salvation; take away the peace and joy of the Holy Spirit... Yes! Take it all, all, far, far away. And what is left? Tragically, for many believers there would be nothing left. For does our faith really go that deep? Or do we, in the final analysis, have a cross-less Christianity?
No matter what road I take, I can never get too far away from the conscious lyric and the socially conscious content.
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