A Quote by Anish Kapoor

My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing. — © Anish Kapoor
My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing.
My first show sold within the first 3 minutes, and I came back to the studio and spent the next two and a half years making almost nothing
I was the first son and first child. When my sister came along, well, she was two years younger, and I had to go to the golf course because my mother couldn't handle all the action going on. So I came with father to the golf course since I was a year and a half old and I spent the day with him here, and it worked in naturally. And it was fun for me being with my father, and doing things that a kid did it was great.
I got my first show at Blum & Poe because Paul McCarthy postponed his show, and they came to my studio and asked me if I could put together a show in two weeks.
I did 30 Minute Meals for five years on local television, and I earned nothing the first two years. Then I earned $50 a segment. I spent more than that on gas and groceries, but I really enjoyed making the show and I loved going to a viewer's house each week. I knew I enjoyed it, so I stuck with it even though it cost me.
I was born in London in 1919. I first went to America in 1946 for a three-month holiday. Then I came back, worked here for almost a year sold up my home and went back on immigration in 1947.
My father died when I was 28, and within two-and-a-half years of that, I lost my first son.
There's nothing worse than putting two similar shows back-to-back. Viewers don't want to watch one show and then sit through another half-hour of almost the same thing.
My first three years at United were pretty much flawless. In the first we won the treble and I finished top scorer: I was walking on cloud nine. I came back the next year and scored 26 goals.
Think back to the early rock n' roll records, and the average record length in the '50s - and well into the '60s - was two and a half minutes. It's very hard to put that much songwriting into two and a half minutes.
I spent five years of my childhood in Port Elgin and came back to spend another five years of my young adulthood there as well, including the years in which I was first published.
My wife and I sold our house New York and moved to Australia for a year; then we came back and spent almost three years bumming around the country in an old '61 VW van. We put the kids in school wherever we happened to be, but mainly we reveled in being rootless.
When I sat down with the creators of the show [Longmire], back when we were first starting to do the pilot, Branch was not that interesting on the page. What really sold me on the show and the character was their vision for him. It took the whole first season to flesh him out.
I went in the Marines when I was 16. I spent four and a half years in the Marines and then came right to New York to be an actor. And then seven years later, I got my first job.
I just go into the studio, look at the lyrics for the first time when I put them on the piano, and go. If I haven't got it within 40 minutes, I give up. It's never changed, the thrill has never gone, because I don't know what I'm going to get next.
The release of 'Lungs' was so hard. It was terrifying, because it was the first time doing everything. The first experiences of media exposure were almost paralysing. I spent a lot of time crying on the floor of the studio - it sent me a bit mad.
I coached against Dave the last couple of years, and I was very proud to be the first time a father ever coached against his son. He beat me for 30 minutes the first time and 59 and a half minutes the second time.
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