A Quote by Anish Kapoor
Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic.
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Maybe the way we have learned to look has changed in the last 25 years, and the exotic is much more acceptable. There are many artists now, younger artists, who work out of the exotic
God, you Jews are truly exotic." Exotic? She should only know the Greenblatts. Or Mr. and Mrs. Milton Sharpstein, my father's friends. Or for that matter, my cousin Tovah. Exotic? I mean, they're nice, but hardly exotic with their endless bickering over the best way to combat indigestion or how far back to sit from the television set.
Calling something exotic emphasizes its distance from the reader. We don't refer to things as exotic if we think of them as ordinary. We call something exotic if it's so different that we see no way to emulate it or understand how it came to be. We call someone exotic if we aren't especially interested in viewing them as people - just as objects representing their culture.
Things have changed. I almost feel like it's more adaptable, and you can decide your own career now. I feel artists have so much more of a voice and so much more power now. It's really inspiring to see how a lot of the young artists use their platforms.
Well there is a lot of work here for younger and older musicians now. Our Ministry of Culture has now really embarked on changing things for artists, and it is getting much better. We just have to organize ourselves as artists, and then things will be better.
Once avant-garde artists receive official recognition, they start a double life. In one, they inspire younger artists to do more. In the other, they inspire a mass of imitators who make the work respectable and exclusionary. The artists and their art become intellectual brand names.
A lot of artists are involved with fabrication. Artists today are making more objects and many of them need the participation of a dealer in order to facilitate and provide support for projects. So that has changed. But I don't know if what it means to be an artist has really changed. I hope that it hasn't.
Vulnerability of artists is definitely what makes organizations like PEN necessary because, as I tried to argue, the actual work that writers and artists do has an ornery way of surviving. Particularly in this age of the internet, it is very easy for forbidden work to be found online somewhere if you know where to look. Artists themselves, however, are in increasing danger, and not just artists. The great concern is that year after year, rising numbers of journalists are being killed in pursuit of their work.
I was lucky that one of my first movies, 'One Million Years B.C.' was made in Europe by a British company. The Brits, and a lot of the rest of Europe, seemed to really love exotic women. The fact that I was American and exotic just made me more appealing to them.
But, Christ, there's a difference between exotic and foreign, isn't there? Exotic means you know how to use your foreignness, or you make yourself a little foreign in order to appear exotic. Real foreign is a little scary, believe me.
Many of us believe that 'real artists' do not experience self-doubt. In truth, artists are people who have learned to live with doubt and do the work anyway.
I think all the poets and artists
have always written for peace and love,
and it hasn’t changed much
in the last two or three thousand years.
But we hope.
I'd prefer to invite the artists simply to work and have fun with Guatemalan artists. To share missions of life. Maybe that is more important than seeing an exhibition.
If you look at my collaborations, it is very much in line with all these others in the sense that it is a building of community, particularly among artists of color. This is what I learned from the example of elder African-American artists, which is where it is all coming from; to refuse to be silenced.
Great,' I said. 'Visit exotic Australia. Get bitten by an exotic snake. Die exotically.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
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