A Quote by Anish Kapoor
One of the great currents in the contemporary experience of art is that it seems to come out of the experience of the author.
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In our culture, imitation-based experience dominates reality-based experience. I find this an awful thing. But there are artists who know from the bottom of their souls that art is about the experience of reality. The reason we have art is because you can’t get a real experience from the world.
I think there's just a lot of compassion in art. Again, when you're doing something that resonates with somebody else, you're going through an experience another person has had, whether it's been a painful experience or a joyous experience or a happy experience.
I have a theory that the best ads come from personal experience. Some of the good ones I have done have really come out of the real experience of my life, and somehow this has come over as true and valid and persuasive.
Whatever I do today is the whole continuum of my experience. Like John Dewey said in his book ‘Art as Experience,’ you can’t separate experience from the work of art. So, if I write for the symphony today, you’re listening to everything that’s happened to me since I was 18 years old.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
It is the shared experience - [although] you're the conduit of the sound, the recipient is also in some way the author of the work, because if they weren't the author of the work they wouldn't be able to recognise it as an experience, you could argue. The more distance you can put between yourself and having any kind of objective the more likely it is to appear.
Throw yourself into the hurly-burly of life. It doesn't matter how many mistakes you make, what unhappiness you have to undergo. It is all your material ... Don't wait for experience to come to you; go out after experience. Experience is your material.
Great art - or good art - is when you look at it, experience it and it stays in your mind. I don't think conceptual art and traditional art are all that different.
Experience, as a desire for experience, does not come off. We must not study ourselves while having an experience.
Experience is an author's most valuable asset; experience is the thing that puts the muscle and the breath and the warm blood into the book he writes.
This is what they all come to who exclusively harp on experience. They do not stop to consider that experience is only one half of experience.
Art, well good art at least, takes you to a place you go during the experience of it, and then after you experience it you are different.
Those people that don't see the power in art maybe have never been a part of an art, in a real way. To experience it, and to see and witness how it affects people, we're not doing it just to create professionals. It's to add another dimension to the way that children think and the way they experience certain things. If you didn't have dance, music and singing, it just seems so odd to me.
There are so many people who have a training in art history; and if you've spent time looking at old art, you become attuned to what art does through materiality and so you begin to look to that in contemporary art as well. And anyway, I do think that matching one's experience with what you're looking at and questioning what you're looking inevitably involves materiality, just like it involves the sense of place.
It's interesting in the recruiting process because I have recruits and parents that say, 'You're so positive about the other schools!' And I am, because I had a great experience at LSU. I had a great experience at Auburn. I had a great experience at Florida.
In the experience of art, time seems not to exist.
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