A Quote by Anish Kapoor

I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to — © Anish Kapoor
I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to
I used to empty the studio out and throw stuff away. I now don't. There will be a whole series of dead ends that a year or two down the line I'll come back to.
I have been in the series for over 3 years - 3 series. There will be a fourth series next year which of course I won't be in because I'm now dead. So in total I appeared in 25 episodes.
When you speak directly at things and don't say you're going to try to do something or that you hope to do something, the universe will work with you. Think about it this way - a boomerang goes out and comes back to you if you throw it. If you throw it out at the universe, it will come back down to you on Earth.
The main problem with writing in verse is, if your fourth line doesn't come out right, you've got to throw four lines away and figure out a whole new way to attack the problem. So the mortality rate is terrific.
A lot of what we do in the studio on a day-to-day basis is you try to cast a line as far out as you can out into unknown waters and reel it back in, cut out stuff that isn't working, cut out stuff that isn't connecting to people.
Fight ever on: this earthly stuff If used God’s way will be enough. Face to the firing line o friend Fight out life’s battle to the end. One soldier, when the fight was red, Threw down his broken sword and fled. Another snatched it, won the day, With what his comrade flung away.
One of the freedoms you get if you earn a lot of money from a book is to throw away what you want. And if you throw a lot away, the good stuff always comes back; nothing is lost.
I've recently rediscovered Anthony Trollope. I used to read him back in college, and a friend turned me on to a whole new series of his work, 'The Palliser Series.' It's a series of seven or eight books.
If I used justice, you'd all be dead. The karma that you throw at me when you don't like me - if I just let it come back, you'd all be destroyed in no time.
I'm very scared to do it. What if I don't come back? With the whole light-years thing, what if I come back 10,000 years later, and everyone I know is dead? I'll be like, 'Great. Now I have to start all over'.
In the Twentieth Century war will be dead, the scaffold will be dead, hatred will be dead, frontier boundaries will be dead, dogmas will be dead; man will live. He will possess something higher than all these-a great country, the whole earth, and a great hope, the whole heaven.
Writing doesn't come real easy to me. I couldn't write a novel in a year. It wouldn't be readable. I don't let an editor even look at it until the second year, because it would just scare them. I just have to trust that all these scraps and dead-ends will find a way.
The truth is that man is one individual with two aspects, just like one line with two ends. If you look at the ends, it is two. If you look at the line, it is one. One end of the line is limited, the other end of the line is unlimited. One end is man, the other end is God.
The year I got into The Actors Studio, Steve McQueen and I were the only two accepted that whole year.
She's not here," I tell him. Buttercup hisses again. "She's not here. You can hiss all you like. You won't find Prim." At her name, he perks up. Raises his flattened ears. Begins to meow hopefully. "Get out!" He dodges the pillow I throw at him. "Go away! There's nothing left for you here!" I start to shake, furious with him. "She's not coming back! She's never ever coming back here again!" I grab another pillow and get to my feet to improve my aim. Out of nowhere, the tears begin to pour down my cheeks. "She's dead, you stupid cat. She's dead.
There's a very old recording maxim that goes, 'Distance makes depth.' I've used that a hell of a lot-whether it's tracking guitars or the whole band. People are used to close-miking amps, but I'd have a mic out around the back, as well, and then balance the two. Also, you shouldn't have to use EQ in the studio if the instruments sound right. You should be able to get the right tones simply with the science of microphone placement.
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