A Quote by Anita Baker
As soon as you get off stage, that's the most dangerous time for a singer to kiss people because your vocal chords are receptive to any kind of germ.
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I've been diagnosed with what's called vocal tension dysphonia. The muscles around my vocal chords kind of constrict my vocal chords from doing what they should do. It's kinda like being a body builder and you have muscles that are so large that they don't allow you to have flexibility, if that makes sense.
We are the kind of people who obsess over one word... but we have only one shot to get it right in concert. It was hard the first time I practiced with them. I was so nervous that my vocal chords were paralyzed for about a half-hour.
Sometimes it's tough because I've got to sleep 15 hours to sing the way I want to. It's not easy because my vocal chords are different than most people's.
I don't have dairy because I'm a singer and, quite frankly, I don't want to mess around with my vocal chords and how those behave, and dairy is an allergen for me.
As a singer-songwriter who gets up on stage and sings about those things that make me vulnerable is an amazing experience. You get up on stage and effectively take your clothes off in front of thousands of people.
If you're a lead singer, then you can't afford to be sensitive. On stage, everyone looks at the lead singer, even if you don't want them to - in America, they have those massive follow spots on you all the time; it does your head in. So, if you are a lead singer and you don't toughen up, you're in the wrong job, and you have to get out.
I would get my laugh insured! Because my laugh is very important: it's a million dollar laugh, so if my vocal chords make my laugh any different, then I'm going to have to get insured.
I must admit, the only reason I joined an amateur dramatic society is because I couldn't get to kiss any girls - I was chasing girls all the time - and so I thought if I join it, there might be some love scenes. And there was a particular girl and I thought I might get to kiss Amy. I never did get to kiss Amy but I did get to kiss Elizabeth Taylor, so it was all right, a lot later.
I came from being a singer going into jazz. And that's one of the things that polio did for me is it took away my ability to sing with a range because it paralyzed my vocal chords, so that was when I started playing. But I hear the music as if I were singing even when I am playing.
The decision to kiss for the first time is the most crucial in any love story. It changes the relationship of two people much more strongly than even the final surrender; because this kiss already has within it that surrender.
To let a sad thought or a bad one get into your mind is as dangerous as letting a scarlet fever germ get into your body. If you let it stay there after it has got in, you may never get over it as long as you live.
And that almost killed you?" "It wasn't deep but it got infected. Infection means that the bad germs got into it. Infection's the most dangerous thing there is, Tom. Infection was what made the superflu germ kill all the people. And infection is what made people want to make the germ in the first place. An infection of the mind.
When you have any kind of success in life, that's like the most dangerous moment that you're in because you're going to tend to think wow, I can just keep repeating what I've done. I'm a great person. People love me. All of the sudden they're giving me all of this attention. You get drunk on it and you lose your sense of balance and your sense of detachment. I know it's happened to me.
Singing is a kind of sport and a singer a kind of athlete and following this model becoming "vocally fit" - building vocal muscles - should be the point of any form of voice teaching. Other approaches don't work directly on building vocal muscles but instead focus on so-called diaphragm support and breathing, mask singing, breath control, throat relaxation - all of which are useless at best and harmful at worst.
For the two hours I climb on stage, I become the schoolboy. But as soon as it is over, I get off stage and go home and get told to wipe my feet before I come in.
It was very challenging, trying to add an orchestra on top of these traditional African rhythms, because as soon as you add any kind of melody or chords over it, it stops feeling African.
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