A Quote by Anita Baker
I love radio, but it's a very limited thing today. Everything has to be edited down to 3:59, and too bad if I didn't make my statement in three minutes and 59 seconds. Everybody's song has to make its point so quickly.
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I am struggling, though. It’s f-cking hard. So little sleep. It’s 23 hours and 59 minutes of exhaustion. They do one little thing in that last minute that is just so compelling and fascinating that it makes the other 23 hours and 59 minutes worthwhile.
Some of our early work was two minutes twenty when it actually came out on vinyl, very, very, very short. Sometimes if you made a three-minute record they would make you do an edited version for radio, particularly in America.
Fifty-nine cents. For years, I wore a button - '59 cents.' Many of my colleagues wore it also. The purpose was so that people would come up and ask, 'What does '59 cents' mean?' One could then launch into a discussion about how women working full time in the U.S. earn 59 cents for every dollar earned by men.
'Smoke On The Water' was ignored by everybody to begin with. We only did it in the shows because it was a filler track from 'Machine Head.' But then, one radio station picked up on it, and Warner Bros. edited it down to about three and a half minutes. It then started getting played by lots of different radio stations.
As a songwriter, I try not to be sloppy; same with the music. You can be very lean, very efficient, so you're not wasting a lot of time getting' to the point. You're saying it with as pure a word or phrase as you can. That's the part that was craft. You refine and refine and refine. Maybe that's why the songs still hang on, because they're very pure. For one thing, they're very short. "Bad Moon Rising" is like 2 minutes and 12 seconds. I would try to do everything as quickly and with as little extra as possible. It was a challenge.
When you look at me on the telly and say, 'She should be on 'The Undateables,'' you are looking at a 59-year-old woman. That is what 59-year-old women who have not had work done look like. Get it?
Let's say music is needed for only 43 seconds of film. You have to score it so it is an entity, so it won't bother anyone when it ends so quickly. Or if a song runs 2 minutes and 45 seconds, but the titles run a minute longer, you have to arrange that song so it doesn't get repetitious.
When Joe Rogan started his podcasts he'd have me, Joe Diaz, and all our friends help him for the first few. And I told him 'Dude, no one will listen to audio that's over an hour long. You've got to end it at 59:59 or less.' And I was way wrong.
You read about these oyster-shucking contests: Somebody did 100 oysters in three minutes, three seconds. I'm lucky if I can open one in three minutes, three seconds.
The difficult thing about a pop record is that you're given guidelines: it has to have 3 choruses, and then it must be between 3 minutes fifteen seconds and three minutes forty-five seconds.
Because I'm not the same today as I was in '58, or '59 or even '71.
I coached against Dave the last couple of years, and I was very proud to be the first time a father ever coached against his son. He beat me for 30 minutes the first time and 59 and a half minutes the second time.
If you're going to make a statement, I think you should write it in prose and make a statement. If you have characters who are mouthpieces for a point of view, then you have to be very clever about disguising it.
Life is hard, you know. If I can give someone on the radio three minutes to make them feel happier, that's a cool thing.
Finally, you're right about one point, your entire way of thinking is predicted by what you're immersed in so you know you won't make a bad decision. You can make a bad decision but it's still in the good sphere normally if you work well. You're prepared to face a crew who wants to know everything and poses a hundred questions a minute, because you know you have good reflexes and can respond very quickly.
Make sure to immediately write down any impressions you receive. Intuitive impressions are often subtle and therefore 'evaporate' very quickly, so make sure to capture them in writing as soon as possible. Recent research in neuroscience indicates that an intuitive insight - or any new idea - not captured within 37 seconds is likely never to be recalled again. In 7 minutes, it's gone forever. As my buddy Mark Victor Hansen likes to say, 'As soon as you think it, ink it!'
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