A Quote by Anita Baker

Oh my goodness, they are rocking so many variations of my high-top fade. I mean, Rihanna has taken it to a very angular 21st Century thing. Miss Fantasia has it in a very seductive, you know, up-flip, and it's just lovely, right? Oh, I think it's wonderful.
I think it's your mental attitude. So many of us start dreading age in high school and that's a waste of a lovely life. 'Oh... I'm 30, oh, I'm 40, oh, 50.' Make the most of it.
I think that you're very aware that you're shooting a 3D film for a movie that's beloved to the fan community, and that it's going to be on people's radar, and that you have to be excellent. I think it evolved over time how epic it has become. The first time we went to Comic-Con after we finished shooting I went, "oh my goodness, oh my goodness!"
[In] the 21st century, the mainstream can satisfy your every whim. I guess the idea of walking around with groups of people dressed the same and saying, "I'm only into ska" or "I'm only into whatever" - is kind of restrictive in the 21st century. I don't know if it's a bad thing that these movements have run their course. I think what I miss about it is the collective experience.
I think we're in a very distinctively different historical moment. I mean, I think that you had two things that were operating in the 1930s that seem to be, in many ways, to have been weakened or disappeared. And of course the beginning of the 21st century, I mean, you have - at one level you had massive social movements.
I'm not the kind of person who's going to look at the top of a mountain and go, 'Oh, look at that! That's lovely. That's lovely, that top of that mountain.' I'm the kind of person who's going to go, 'Oh, my God! That's so lovely! Let's go climb up it!'
The quality I most loved in Warhol - it was his sense of wonder. I mean, he was - absolutely everything was, 'Oh my God, isn't that wonderful!'. You know, and so it wasn't that he was cool and kind of calculated at all. He was very childlike.
I flew to New York to do a commercial back in the day when people could meet you at the gate, and the little agent when I came off the plane said, 'Oh, Miss Carr, we are so happy to have you here.' I went, 'Oh, for goodness sakes.'
A lot of the time, you need to find the right home for ideas. You know, sometimes you think 'oh this'd be a sitcom, oh, no it wouldn't, it'd be a drama, or an educational thing, or a doco or something.' I've got loads of ideas and you just have to keep sending them and pitching them.
People talk very much about, 'What can we do with the orchestra in the 21st century?' We should think about the 21st century, of course.
I had a mom and a pop who kept telling me that I was wonderful at a very early age. So when someone said to me, "Oh, you're stuck up. Who do you think you are?" I'd say, "I know who I am, and I don't mind being stuck up".
I also miss the support that I had of so many people. You know I'm a very Ma and Pa operation right now, and I was used to having everything working for me. It was a similar situation when I left Anne Klein and started Donna Karan. All of a sudden I was working in my apartment and it was, "Oh my god, what am I doing?"
Oh, I'm being eaten By a boa constrictor, A boa constrictor, A boa constrictor, I'm being eaten by a boa constrictor, And I don't like it--one bit. Well, what do you know? It's nibblin' my toe. Oh, gee, It's up to my knee. Oh my, It's up to my thigh. Oh, fiddle, It's up to my middle. Oh, heck, It's up to my neck. Oh, dread, It's upmmmmmmmmmmffffffffff . . .
Vladimir Putin is really very much of a leader. I mean, you can say, oh, isn't that a terrible thing - the man has very strong control over a country.
I was on set [Romeo + Juliet] maybe an hour for two days. It was in this big cathedral in Mexico City. I just remember being up there in the balcony, and it was myself up front and there was a choir behind me. In front of me was this rail, like this cement rail, and I was like, "Oh my gosh!" Because I was a kid then, and I'm like, "We're kinda high ... I hope I don't flip over," because I'm very clumsy.
Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat.
It's very benign, it seems, to think, "There's a tree." In fact, it's a very beautiful thought. If someone chops down all the trees, then we think, "Oh, my goodness, something is out of order in my world." We begin to think, "Who am I in a world without trees?"
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