A Quote by Anita Dobson

I've been working in radio on and off for most of my career. There's a restfulness about it. It's more focused on the voice, so you don't have to worry about extraneous things like sound effects, as there's someone there to look after that.
People make a big deal about podcasts but it's basically an online radio show with the sound effects and sidekicks, but because you can curse it's more like satellite radio. Most of the podcasters were morning guys who were fired when Clear Channel decimated the radio landscape.
That's the great thing about being a director. You have your list of things you have to worry about and things you don't have to worry about. If you can hire someone or cast someone who equates to not having to worry about, it's great!
It's a barrel of laughs, isn't it? It makes The Day After look like friggin'...insert name of cheerful thing here. It was one of the things that made me really worry about worst-case scenarios. There's something impish and probably somewhat therapeutic about thinking about those things.
When you are writing a spoken word poem, the tools you're working with are your voice, your body, how it's going to sound to someone when you're saying it out loud. Which is different from when you're writing it on the page. That toolbox becomes how does this look visually on the page, how does this read among pages, how is this in relation to poems that are before it or after it. I don't think one is better or more successful than the other. You've just gotta think about "what are the tools I'm using, and how are they most effective in this form?"
Most people were annoyed with my voice, I think, because I'm working-class, and that doesn't sound quite right on Radio 4.
I'd started working when I was 21 and had been very determined about my career, very focused, even as a little kid, so it was something I had been working at for a long time.
I used to worry about money and career and what was going to happen. How was I gonna succeed or fail in the world? And I thought about it enough that I'm no longer worried about it. I'm not... I don't worry about what's gonna happen in my life. I don't worry about telling me about dying, my own mortality. That's a given.
I’m a really big believer that we all have this voice inside of us, and that voice is God talking to us, and we are all magical, and we all have something as specific to do as our fingerprint. And everybody should go out and do that. And I think between the ages of 15 and 32, don’t worry about getting married, don’t worry about settling down, don’t worry about having a baby. Give birth to yourself.
If you want something, work hard for it, go after it. I can't worry about all the 'no's, because I believe there's a yes, and I've been very fortunate to find those in my career and made the most of those opportunities.
Once we actually have the production script after many rewrites, at that point is when I start to decide what the look and colors will be. I work like a painter, even though I'm working in three dimensions. I'm working with chairs. I'm working with walls. But even things like the floor or the walls that people might think are not important, they actually do influence the visual look of the film. These are also things that I have to think about.
I worry about growing income inequality. But I worry even more that the discussion is too narrowly focused. I worry that our outrage at the top 1 percent is distracting us from the problem that we should really care about: how to create opportunities and ensure a reasonable standard of living for the bottom 20 percent.
I've learned a lot about my voice, and about things I can do with it. Maybe that's why my sound has become a little more pop.
What's funny about my voice is, no matter what I sing, I sound like I'm really sad. I don't even mean to do it, it's just something my voice has. I think that's one of the reasons why Okkervil has been dubbed as really mopey - I have this tone to my voice that sounds like that.
I've always been a little shy about taking my clothes off, but I don't worry about it any more.
I always feel trepidation at the beginning of every project. I worry about so many things. Time to get it right, the skill to do it justice, the will to finish. I also worry about more mundane things, like what if my computer crashes and I've forgotten to back up the manuscript?
If you make the decision to send your kid to public school don't even look at private schools. Just shut the door. Just turn off the TV. And then you don't even have to worry about preschool. You have to worry about what's good for your kid, but you don't have to worry about how to position yourself.
This site uses cookies to ensure you get the best experience. More info...
Got it!