A Quote by Anita Dobson
If you're a good actor, you should be able to do soap, comedy, Shakespeare, musicals, pantomime, and something like 'Frozen.' Of course, you will be better at some things, but who says you can't do them all? The intent should always be to stretch yourself and broaden your horizons.
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In order not to leave any traces, when you do something, you should do it with your whole body and mind; you should be concentrated on what you do. You should do it completely, like a good bonfire. You should not be a smoky fire. You should burn yourself completely. If you do not burn yourself completely, a trace of yourself will be left in what you do. You should not have any remains after you do something. But this does not mean to forget all about it.
The bottom line in managing your emotions is that you should put others – not yourself – first in how you handle and process them. Whether you delay or display your emotions should not be for your own gratification. You should ask yourself, What does the team need? Not, What will make me feel better?
As an actor, you always look for things that will stretch you and that are different than you are, so that you can surprise yourself, and you want to surround yourself with the highest caliber of people that will make you look good.
Let your letter be written as accurately as you are able,--I mean with regard to language, grammar, and stops; for as to the matter of it the less trouble you give yourself the better it will be. Letters should be easy and natural, and convey to the persons to whom we send them just what we should say to the persons if we were with them.
It's not like there's no work in Scotland, but speak to any actor, and they'll tell you it's limited. So you have to go to London or Manchester to broaden your horizons.
Hiding, secrets, and not being able to be yourself is one of the worst things ever for a person. It gives you low self-esteem. You never get to reach that peak in your life. You should always be able to be yourself and be proud of yourself.
There is a bit of a once a soap actor always a soap actor thing, but I do think people still recognise talent. If youre good at something, then people have no choice but to accept it.
The taxpayer is entitled to some essential things. Families should be able to provide their children with playgrounds and find places for them in schools. There should be enough hospitals. Water should be provided to all. Surplus electricity should be available. The taxpayer should be comfortable.
I think the role of comedy in your life should supersede anything and everything negative. Just by virtue of the fact that you have to be funny, you can't afford to focus on the negative. As a comedian, your challenge is to turn negative stuff into positive energy. You should be able to hear anything that sounds bad, that people normally wouldn't laugh at, and make it feel funny to you. No one should be able to deter you, once you have your mind set on comedy. Your survival as a comedian should be as natural as breathing. I need to breathe and I consider my career my air.
One of things I'd love to do one day is a Shakespeare with Trevor Nunn. I've done musicals with him, but never Shakespeare. There's no one better.
New artists will be discovered and trained. Moreover, when the artists who've gone abroad return home, they can share and pass on skills and knowledge to their peers here. I am certain their stints abroad will make them better artists and mentors. It will teach them discipline and independence. It will broaden their horizons.
We don't want to be wounds ("No, you're the wound!") but we should be allowed to have them, to speak about having them, to be something more than just another girl who has one. We should be able to do these things without failing the feminism of our mothers, and we should be able to represent women who hurt without walking backward into a voyeuristic rehashing of the old cultural models.
I'm Irish and very proud of being Irish, but as an actor, your extraction should be secondary, really. You should be able to embody whatever character it is, wherever the character comes from. That's always been important, for me. I'm an actor who's Irish, not an Irish actor.
If I'm going to be honest with you, when I trained at school, I feel like I was training to be a chameleon. I want to be that versatile actor who can do anything - that's why you learn fifty different dialects, you do Shakespeare, you do commedia, you do it all so that if any job comes your way, you should be able to do it.
If you flatter yourself properly you will be better able to enjoy yourself. Stretch your joy so that others enjoy you too.
[As an actor] I have ideas, but things should always be fluid. You should always be ready to follow an instinct. Something might reveal itself on the day.
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