A Quote by Anita Dobson

I refused to describe myself as an actress until 'EastEnders' because, until then, I couldn't support myself without doing other jobs. — © Anita Dobson
I refused to describe myself as an actress until 'EastEnders' because, until then, I couldn't support myself without doing other jobs.
I made a commitment to myself: that I wanted to be an actress, and I wanted to do films that make a difference. Whether it makes someone laugh, or it has a moral to the story - it doesn't have to be an ethical film, but it has to move people. If it doesn't excite me, it's not worth doing - it's better to work on myself and my own life and wait until another great thing comes along.
I have a hold limit that I've set for myself. I hold until I start to imagine myself killing the person on the other end. Then I hang up and regroup.
I worked full time jobs, basically doing manual labor until I could make enough money supporting myself as a musician.
I was able to support myself by acting alone about six years ago. Until then, I was just scraping by.
I never knew I had an inventive talent until Phrenology told me so. I was a stranger to myself until then!
My very first story, I was around 5, and I really just wrote myself. When I was 5, I loved myself so much I gave myself a twin named Tomi. Everything started out fine. But then I didn't write another black character until I was 18.
My parents are left-wing, and I would describe myself as that. But also, you know what? I wouldn't describe myself as that. Because I don't have to. Because I'm not a political party. Most people are a little bit of each, and we change our mind on various issues.
Like, that was weird in 'Hamlet 2,' because I played myself there, fully myself, but then I realized, 'Oh, I'm not playing myself. I'm some weird version of myself.' So as an actress, you're always playing something, I don't even know who I am, how could I become me? I don't know what that is.
I said, 'I'll give myself two years. If I can't support myself as an actress within two years, then I'll go back to choreography.'
The crazy thing is a lot of people - a lot of men, if I'm just speaking for myself - don't really start thinking about the effect of hyper-masculinity and false definitions of what it means to be a man until you get married or until you have kids. Because then, all of sudden, you have something to protect.
The crazy thing is a lot of people - a lot of men, if I'm just speaking for myself - don't really start thinking about the effect of hyper-masculinity and false definitions of what it means to be a man until you get married or until you have kids. Because then all of sudden you have something to protect.
I always let other people describe me because if I describe myself you will not understand.
My head is filled with things I think I should be doing or should've done already. I slow down because I doubt myself or I get anxious or have a bout of depression. Then I have to build my confidence back up, and once that happens, then I power through until the next time.
Like many of you, I was concerned about going out into the world and doing something bigger than myself. Until someone smarter than myself made me realize that there is nothing bigger than myself.
I'm a morning person because I learned to write my novels while still practicing law. I would get to the office at 6:30 a.m. and write until other people arrived, around 9. Now I still do that. I start at 6:30 or 7, and I'll write until 11, then take an hour off, then work until about 2 p.m. By then my brain has had enough.
A lot of people describe me as an electronic producer, but I actually wouldn't have described myself that way until maybe three months ago when I felt I was getting some really good production jobs with very good people. I would have always said, I'm a singer. I think the album brings the voice to the front, and makes that clear.
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