A Quote by Anita Elberse
For the first case I did with Octone, 360 deals were not at all being talked about. And then for the follow-up case, it was the focus. I wanted to see how things were changing and what the new challenges were.
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People were paid lots of money to make stupid decisions, people in big banks, and when people are paid to be stupid they'll be stupid. The question was, did they know they were being stupid or were they just stupid? I think you need to take it on a case by case basis. There was some sinister activity, but I think by and by it was people being incentivised to do the wrong thing.
Not to get too deep, but I was brought up by these women who if you wanted to label them, maybe they were feminists, but you know what? They never asked for that or wanted it and they never got up on a soapbox and spoke about it, they just did it. They did their work, they did their jobs, they were who they were.
It's quite ironic I suppose, it's that thing about being in a group when you all start out as friends and then invariably end up hating each other. So I just thought they needed telling really, in case they were labouring under the apprehension that they were still friends.
The evening was very professionally organized, and most of the people were exceptionally polite, although it did make me a little nervous when one church official told me after the debate when a big crowd of people surrounded me that he had assigned me a body guard "just in case." Just in case what? I thought Christians were suppose to be exceptionally tolerant. Well, in any case, I guess I was grateful for the gesture, "just in case."
It's not lost on me that every single person who told their story about Harvey Weinstein talked about how they were silenced, how they were encouraged not to speak up, how they were embarrassed or ashamed to speak up.
Times were changing. Clothes were changing. Morals were changing. We went from romantic loves songs like I used to do to rock 'n roll. Now that has changed to rap. So, there's always a new generation with new music.
The technical challenges were technical challenges that were not unbeatable; it was just that we had to learn how to do things and how to build a sensitive enough device. That took us 20 years after we built the first version of the LIGO detector.
I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?
If you were in the film industry at that time, you were always picked up by directors who were much older. You were whisked about and shown things. I did work very hard though.
The first couple of years of my career were going fantastic, everything running smoothly. I was the next best thing. Obviously there were problems that were out of my hands, changing promoters and all different things behind the scenes that people don't see.
The strange thing about my life is that I came to America at about the time when racial attitudes were changing. This was a big help to me. Also, the people who were most cruel to me when I first came to America were black Americans. They made absolute fun of the way I talked, the way I dressed. I couldn't dance. The people who were most kind and loving to me were white people. So what can one make of that? Perhaps it was a coincidence that all the people who found me strange were black and all the people who didn't were white.
We really wanted to know all the unknowable things about each other and how we were the same and how we were different, if we even were, maybe nobody is.
The same day I saw my first horror camp, I visited every nook and cranny. I felt it my duty to be in a position from then on to testify about these things in case there ever grew up at home the belief or assumption that the stories of Nazi brutality were just propaganda.
In the case of European towns, the passing of centuries provides an enhancement; in the case of American towns, the passing of years brings degeneration. It is not simply that they have been newly built; they were built so as to be renewable as quickly as they were put up, that is, badly.
I really did feel like I was surrounded by family members. I didn't have a dad, and I remember there were all these guys - in the old days, there were no women, except a makeup artist or, occasionally, a script supervisor. So there were just guys who taught me how to, you know, whittle wood, or how to pull focus, and what the camera was doing. And if I was being bratty, they'd sit me down and tell me. There were lots of rules about not being late and making sure that you didn't spill anything. So it felt a little bit like I was in a family.
I remember the first 'fan expo' we did for 'Killjoys,' we were so new, there wasn't a lot of information out yet. But there were so many fans so excited already. And they were asking really intellectual questions about the show.
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