A Quote by Anita Hassanandani Reddy
My character in 'Fanaah' has a cool and crazy look at the same time. I'm very particular about my accessories and clothes and love discussing and working on the look with the team. We all work on it together and gather loads of references.
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My character Preet in 'Fanaah' had a very distinctive appearance: loud make-up and dramatic clothes.
The team doctor, the team trainers, they work for the team. And I love 'em, you know. They're some good people, you know. They want to see you do good. But at the same time, they work for the team, you know. They're trying to do whatever they can to get you back on the field and make your team look good.
I love a kind of androgynous look and then let the accessories / clothes shape it.
I believe in the semiotics of clothes. They send a message about how the world perceives us. For me it goes beyond clothes, it's grooming. It's accessories. It's the whole head to toe look.
When I buy clothes, I like to buy them in outfits so I know they go together. I like a very simple, natural style. I never like to be the attention getter; I like to come under the radar and be cool about my look, very classic and stylish. I'm not into fads.
The thing about eyewear is that it is so potent, There are very few accessories that, if you were not wearing anything, if you put on they would date you to a whole era. You could look the Thirties, the Fifties, and the Nineties just by your eyewear. It's like a pair of shoes because it is sculptural. It exists without a face. It tells a lot about where you are architecturally or aesthetically in a particular period in time.
I don't particularly look at other artists when I'm working. But references do come into my work intuitively.
Of course, we always get references from the past, but that doesn't mean that the clothes have to look like the past. We need to look forward, which is why I'm fascinated by new materials, technologies, techniques, and unusual ways to use colors or textures. It's very applicable to Calvin Klein because Calvin Klein has always been about modern-ness.
My sister and I both used to wear matching clothes and now my mum, sister and I have the same bag which we all use even when together. Which probably doesn't look that cool.
The Sixties was all about style and a certain look. But what was interesting about 1963 was that it was pre-Beatles, so the clothes of that time, especially the suits, were very different from the clothes post-Beatlemania.
I loved curling and I loved the social aspect of it, the team. It's like if you had the same golf foursome for a long time, or if you're a bridge player, or a beer-league hockey team. You start to look forward to that time together and camaraderie, and having something that you do just for yourself.
I think jazz is a beautiful, democratic music. It encourages musicians with very strong, and many times, very different points of view to work together as a team while, at the same time, giving them the space to express their individuality. It's a very important art form and can be used as a model for different cultures to work together.
I don't look for anything in particular, like a particular genre. It's all very much to do with the quality of the script and the character as well.
Whenever comparisons get too crazy I just think about my goals, and what I want from myself. I don't look at any references.
I love working together with Dean McDermott. We love - we actually are a couple that do everything together even when we're not working. So for us, this is the best venue for our relationship because we get to spend all our time together. And I think for other couples, you know, perhaps they didn't spend all their time together and then all of a sudden they were stuck together all the time, and they couldn't make it work. But for us it works.
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
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