A Quote by Anita Hill

I became the messenger who had to be killed. — © Anita Hill
I became the messenger who had to be killed.

Quote Topics

I became the messenger who had to be killed
I'm the messenger. I'm just really the messenger. Although I've been a very good messenger, let's face it, right? I've been a pretty good messenger.
When the messenger arrives and says 'Don't shoot the messenger,' it's a good idea to be prepared to shoot the messenger, just in case.
In the old days, they killed the messenger who brought the bad news... a Cassandra is never popular in her time.
The story of this man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter on him. Perhaps not a whole chapter but a resonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting out details. He had already chosen the title of the book, after much thought: `The Pacification of the Primitive Tribes of the Lower Niger.'
The war is really about religion. The war's between Jesus and Muhammad. The Christians say Jesus is the messenger. Muslims say Muhammad is the messenger. Who gives a expletive who the messenger is did you get the message?
I'm God's messenger from the gypsy tent. And it's the message that's important, not the messenger.
When 9/11 happened, 12 of our neighborhood firemen were killed. I looked around at the country that had adopted me and I became an American.
I'm scared of myself. I think I'd be a bad driver. I'm scared of cars, period. I've had too many friends killed now, and I've seen too many people killed in my life when I drove across the country when I was 12. I'm sure that has a lot to do with it. If you see a few real dead bodies with brains on the pavement, it does a lot to change your attitude. It means you can get it too. I've had a lot of relatives killed. I've had a lot of dear friends killed. It's stupid. The whole activity is stupid.
"You’re different,” he said, touching my face. Of course I was. The man I loved had killed for me. A lot of things became inconsequential after a sacrifice like that.
I became Patti's [Smith] messenger, basically, and the film is my view of how I learned about Patti.
They had killed themselves over our dying forests, over manatees maimed by propellers as they surfaced to drink from garden hoses; they had killed themselves at the sight of used tires stacked higher than the pyramids; they had killed themselves over the failure to find a love none of us could ever be. In the end, the tortures tearing the Lisbon girls pointed to a simple reasoned refusal to accept the world as it was handed down to them, so full of flaws.
I had 2 choices, be silent and get killed, or speak up and be killed, I chose the second option.
Acting became important. It became an art that belonged to the actor, not to the director or producer, or the man whose money had bought the studio. It was an art that transformed you into somebody else, that increased your life and mind. I had always loved acting and tried hard to learn it. But with Michael Chekhov, acting became more than a profession to me. It became a sort of religion.
Who did you pass on the road?" the King went on, holding out his hand to the Messenger for some more hay. "Nobody," said the Messenger. "Quite right," said the King; "this young lady saw him too. So of course Nobody walks slower than you." "I do my best," the Messenger said in a sullen tone. "I'm sure nobody walks much faster than I do!" "He can't do that," said the King, "or else he'd have been here first.
I was raped when I was very young. I told my brother the name of the person who had done it. Within a few days the man was killed. In my child's mind--seven and a half years old--I thought my voice had killed him. So I stopped talking for five years.
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