A Quote by Anita Loos

In its heyday, Hollywood reflected, if it did not actually produce, the sexual climate of our land. — © Anita Loos
In its heyday, Hollywood reflected, if it did not actually produce, the sexual climate of our land.
One of the things you have to understand with The Room, I never approached a studio to produce, because I know no one in Hollywood will produce this. I came to Hollywood and I said "I will produce this movie the way I want it."
I don't think my election as Taoiseach actually made history - it just reflected it, reflected the enormous changes that had already occurred in our country.
The meter is ticking [particularly in the face of climate change], so you've got to get to as much as you can as fast as you can. I grew up with 'This Land Is Our Land,' and public land doesn't belong to that administration or this one. We want our kids to grow up with real natural places, not just photos of them.
We have to have a planet to pass on to the next generation, and these issues of climate change and climate justice and the disproportionate burdens that communities of color actually bear from our damaging climate is a huge issue.
This war did not spring up on our land, this war was brought upon us by the children of the Great Father who came to take our land without a price, and who, in our land, do a great many evil things... This war has come from robbery - from the stealing of our land.
The whole idea of doing the Hollywood thing never even occurred to me. When you grow up on the East coast, Hollywood seems like this fantasy land and you don't think that people can actually make a living there.
...Denmark should be a green and sustainable society with a visionary climate and energy policy...The answer to these challenges lies in the way we produce and consume energy and in our ability to adapt our society to climate change.
Trauma reflected upon in tranquility can produce morally stunning insights - literary light! It can also produce maudlin rubbish.
The sexual act - thinking about the sexual act, the telling about the sexual act, after the sexual act, is so much more important than the actual sexual act - just in time. It's like of the whole sexual act, you probably spend 95% of the time thinking about it, talking about it afterwards. The actually sexual act, especially when you're 17, is minutes.
The question of place and climate is most closely related to the question of nutrition. Nobody is free to live everywhere; and whoever has to solve great problems that challenge all his strength actually has a very restricted choice in this matter. The influence of climate on our metabolism, its retardation, its acceleration, goes so far that a mistaken choice of place and climate can not only estrange a man from his task but can actually keep it from him: he never gets to see it.
Maine's long and cold winters may help keep our State's population low, but our harsh climate also accounts for what is unique and valuable about our land and our people
Maine's long and cold winters may help keep our State's population low, but our harsh climate also accounts for what is unique and valuable about our land and our people.
American teens have the worst of all worlds ... Our children are bombarded and confronted with sexual messages, sexual exploitation, and all manner of sexual criticism. But our society is by and large sexually illiterate.
There's nothing in Hollywood that's inherently detrimental to good art. I think that's a fallacy that we've created because we frame the work that way too overtly. 'This is Hollywood.' 'This isn't Hollywood.' It's like, 'No, this is actually all Hollywood.' People are just framing them differently.
Hollywood is the perfect conduit for the urgent message about climate change. We raise awareness all the time. We routinely take a film that nobody knows about and get 80 percent of the public to know about it in just 30 days. That's called marketing. We need to harvest Hollywood for climate change awareness.
Now that our sexual experience is increasingly available to us as a subject for contemplation, we have to extend our language to express our new consciousness until we have as many words for sexuality as the Eskimo has for snow, that pervasive, beautiful, and mortal climate in which we all live.
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